Search results
Results from the WOW.Com Content Network
Donatello's Saint George Freeing the Princess of 1417, the first known stiacciato relief. Stiacciato (Tuscan) or schiacciato (Italian for "pressed" or "flattened out") is a technique where a sculptor creates a very shallow relief sculpture with carving only millimetres deep. [1] The rilievo stiacciato is primarily associated with Donatello ...
A rock relief or rock-cut relief is a relief sculpture carved on solid or "living rock" such as a cliff, rather than a detached piece of stone. They are a category of rock art , and sometimes found as part of, or in conjunction with, rock-cut architecture . [ 1 ]
The undercutting of the deep relief exhibits virtuosic and very time-consuming drill work, and differs from earlier battle scenes on sarcophagi in which more shallowly carved figures are less convoluted and intertwined. [13] Describing it as "the finest of the third-century sarcophagi", art historian Donald Strong says: [8]
Inside the Great Hypostyle Hall, Sety I's artisans created exquisite bas-relief sculptures for the walls, columns and their abaci, architraves, and internal clerestory roof parts.Inside the Hall, Sety I's carved ornaments are usually of the best caliber. Subtle modeling of the humans, inanimate objects, and Egyptian symbols are characteristics ...
H 50.8 Art Institute of Chicago: LH 181 Image online [157] Sculpture [154] 1937 Hopton Wood stone H 50.8 Metropolitan Museum of Art: LH 179 Image online [158] Reclining Figure [154] 1937 Hopton Wood stone L 83.8 Fogg Museum: LH 178 Image online [159] Head [160] 1937 Hopton Wood stone H 53.3 LH 177 Recumbent Figure [161] [162] 1938 green Hornton ...
The Great Hypostyle Hall, commissioned by Sety I (19th Dynasty), consisted of 134 sandstone columns supporting a 20-meter-high ceiling, and covering an acre of land. Sety I decorated most surfaces with intricate bas-relief while his successor, Ramses II added sunken relief work to the walls and columns in the southern side of the Great Hall.
One example, an explicit copy, is a pelike attributed to the Wedding Painter of a youth "parking up" a horse exactly in the manner of figure W25 on the frieze. [52] While those vase paintings that resemble the frieze cluster around 430, the vases that quote the pediments are datable nearer to the end of the century, giving further evidence of ...
The relief was first brought to public attention with a full-page reproduction in The Illustrated London News, in 1936. [2] From Burney, it passed to the collection of Norman Colville, after whose death in 1974 it was acquired at auction by the Japanese collector Goro Sakamoto. British authorities, however, denied him an export licence.