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Movie quotation: A statement, phrase or brief exchange of dialogue spoken in an American film. [a] Lyrics from songs are not eligible. Cultural impact: Movie quotations that viewers use in their own lives and situations; circulating through popular culture, they become part of the national lexicon.
Movie First appearance Notes "I'll be back" Terminator: The Terminator: 1984 [note 6] [note 7] "Hasta la vista, baby" Terminator: Terminator 2: Judgment Day: 1991 [note 8] "I love the smell of napalm in the morning" Lieutenant Colonel Bill Kilgore: Apocalypse Now: 1979 [note 6] [note 7] "Frankly, my dear, I don't give a damn" Rhett Butler: Gone ...
La Luna (Italian: [la ˈluːna], Italian for "The Moon") is a 2011 American animated short film, directed and written by Enrico Casarosa in his directorial debut. The film is loosely based on Italo Calvino's short story "The Distance of the Moon."
The earliest known example of a wipe was George Albert Smith's film Mary Jane's Mishap of 1903. George Lucas made sweeping use of wipes in his Star Wars films, inspired by a similar use of wipes by Akira Kurosawa. Since at least the 1980s, the American game show The Price is Right has made extensive use of wipes, usually from contestants to ...
Disney/Cover Images It’s been 60 years since Disney's classic musical Mary Poppins hit theaters, and Dick Van Dyke can fondly look back on the memories from filming one of the Oscar-winning classic.
Secundum quid (also called secundum quid et simpliciter, meaning "[what is true] in a certain respect and [what is true] absolutely") is a type of informal fallacy that occurs when the arguer fails to recognize the difference between rules of thumb (soft generalizations, heuristics that hold true as a general rule but leave room for exceptions) and categorical propositions, rules that hold ...
However, in a statement to The Hollywood Reporter on New Year's Day, WME is refuting Baldoni's claims. More: Blake Lively's 'It Ends With Us' allegations, 'astroturfing' and when fans feel manipulated
The ne plus ultra of Japanese maverick Nobuhiko Obayashi’s work as a surrealist and staunch anti-war advocate, the cult “House” director’s dizzying and frequently dazzling final feature is ...