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Make Mine Music (1946) - Two Silhouettes segment; Cinderella (1950) Alice in Wonderland (1951) Dude Duck (1951) - short (The pretty cowgirls) Hello Aloha (1952) - short (The dancing Hula Girl) Peter Pan (1953) Lady and the Tramp (1955) - (human characters) Sleeping Beauty (1959) One Hundred and One Dalmatians (1961) The Sword in the Stone (1963 ...
A ballet shoe, or ballet slipper, is a lightweight shoe designed specifically for ballet dancing. It may be made from soft leather , canvas , or satin , and has flexible, thin full or split soles. Traditionally, women wear pink shoes and men wear white or black shoes.
A color wheel or color circle [1] is an abstract illustrative organization of color hues around a circle, which shows the relationships between primary colors, secondary colors, tertiary colors etc. Some sources use the terms color wheel and color circle interchangeably; [ 2 ] [ 3 ] however, one term or the other may be more prevalent in ...
A puppy created by Hanna-Barbera Productions in 1979, with the famous catchphrase Let Me At 'Em and is the nephew of Hanna-Barbera cartoon star Scooby-Doo. Scrappy has appeared in a number of the various incarnations of the Scooby-Doo cartoon series. [6] [7] Scud: Toy Story: Bull terrier: Sid Phillips' vicious bull terrier who destroys toys ...
A traditional silhouette portrait of the late 18th century. A silhouette (English: / ˌ s ɪ l u ˈ ɛ t /, [1] French:) is the image of a person, animal, object or scene represented as a solid shape of a single colour, usually black, with its edges matching the outline of the subject. The interior of a silhouette is featureless, and the ...
Gogo Dodo (voiced by Frank Welker in 1990–2002 of the original series) is a young green male dodo with blue shoes and a pink and purple umbrella sticking out from the top of his head. Gogo performs various bizarre sight gags and stunts.
The Adventures of Prince Achmed (1926) by Lotte Reiniger is a silhouette animation using armatured cutouts with backgrounds that were variously painted or composed of blown sand and even soap. No. 12, also known as Heaven and Earth Magic by Harry Everett Smith, completed in 1962, utilizes cut-out illustrations culled from 19th century catalogs.
The illusion derives from the lack of visual cues for depth. For instance, as the dancer's arms move from viewer's left to right, it is possible to view her arms passing between her body and the viewer (that is, in the foreground of the picture, in which case she would be circling counterclockwise on her right foot) and it is also possible to view her arms as passing behind the dancer's body ...