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In 1992, the LA Times wrote that Heussenstamm was "the most aggressive blues guitar player on the scene today." [11] He recorded many independent projects with artists, such as Thelma Jones and Dennis Lockwood. His underground popularity became apparent when he began posting video guitar lessons on YouTube.
Willie Norman Sinegal (or Bill Sinigal; May 13, 1928 – April 14, 2014, New Orleans, Louisiana [1]) was an American rhythm and blues bass guitarist and songwriter from New Orleans. He is best known for his song Second Line. Sinegal played tenor saxophone and C melody saxophone. He studied double bass at the Grunewald School of Music.
Robert "Big Mojo" Elem (January 22, 1928 – February 5, 1997) was an American Chicago blues bass guitarist and singer. [2] Although he recorded only one studio album in his long career, Elem was a part of the Chicago blues scene for over forty years.
Henry Thomas (1874 – 1930) was an American country blues singer, songster and musician. Although his recording career, in the late 1920s, was brief, Thomas influenced performers including Bob Dylan, Taj Mahal, the Lovin' Spoonful, the Grateful Dead, and Canned Heat.
Willie D. Warren (September 11, 1924 – December 30, 2000) [1] was an American electric blues guitarist, bass player and singer.In a long career, he worked with Otis Rush, Al Benson, Little Sonny Cooper, David Honeyboy Edwards, [1] Baby Boy Warren, Guitar Slim, Freddie King, Jimmy Reed, Morris Pejoe, Bobo Jenkins and Jim McCarty. [2]
Anson Funderburgh (born James Anson Funderburgh; November 14, 1954) [1] [2] [3] is an American blues guitar player and bandleader of Anson Funderburgh and the Rockets since 1978. [4] Their style incorporates both Chicago blues and Texas blues.
Lisa Mann is an American electric blues bassist, songwriter and singer. [1] Her influences include Etta James, Koko Taylor, Bonnie Raitt, Sheryl Crow, and Little Milton.She writes most of her material, and has released four albums to date. [2]
First playing as a lead guitarist with the Washington, D.C.-area rhythm and blues band The Triumphs, he switched to bass during his high school years, and while still underage (and with a forged I.D.) played the Washington D.C. club scene, backing artists such as Little Anthony and the Imperials.
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