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Others have dismissed the book on grounds that Booker is too rigid in fitting works of art to the plot types above. For example, novelist and literary critic Adam Mars-Jones wrote, "[Booker] sets up criteria for art, and ends up condemning Rigoletto , The Cherry Orchard , Wagner , Proust , Joyce , Kafka and Lawrence —the list goes on—while ...
A plot summary is generally used to provide a concise description of the work in question, to allow the reader to understand the discussion related to that plot, and to illustrate points within an article. Where a specific plot point has been commented upon by academics or the media, it is necessary to describe that plot point.
The term plot can also serve as a verb, referring to either the writer's crafting of a plot (devising and ordering story events), or else to a character's planning of future actions in the story. The term plot, however, in common usage (for example, a "film plot") can mean a narrative summary or story synopsis, rather than a specific cause-and ...
Plot – events that make up a story, particularly: as they relate to one another in a pattern or in a sequence; as they relate to each other through cause and effect; how the reader views the story; or simply by coincidence. Subplot – secondary strand of the plot that is a supporting side story for any story or the main plot. Subplots may ...
Born in Spain in the 16th century, the picaresque novel is a type of narrative told in the first person by a lowborn protagonist ("pícaro") in a realistic setting, often with a satiric tone. Plot and character development is limited. Famous examples are Lazarillo de Tormes and Mateo Alemán's Guzmán de Alfarache.
Story structure or narrative structure is the recognizable or comprehensible way in which a narrative's different elements are unified, including in a particularly chosen order and sometimes specifically referring to the ordering of the plot: the narrative series of events, though this can vary based on culture.
A plot summary should cover the complete story, including all major plot points, significant twists, and the ending. Avoid using "teaser-style" descriptions designed to withhold key encyclopedic details, for example "In the end the family makes a shocking discovery…".
The three-act structure is a model used in narrative fiction that divides a story into three parts , often called the Setup, the Confrontation, and the Resolution. It has been described in different ways by Aelius Donatus in the fourth century A.D. and by Syd Field in his 1979 book Screenplay: The Foundations of Screenwriting.