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The high rising terminal (HRT), also known as rising inflection, upspeak, uptalk, or high rising intonation (HRI), is a feature of some variants of English where declarative sentences can end with a rising pitch similar to that typically found in yes–no questions.
Here, as is common with wh-questions, there is a rising intonation on the question word, and a falling intonation at the end of the question. In many descriptions of English, the following intonation patterns are distinguished: Rising Intonation means the pitch of the voice rises over time. Falling Intonation means that the pitch falls with time.
(high) rising and low rising tone or intonation removed ˇ , ˬ (high) dipping and low dipping (falling-rising) tone or intonation removed ˆ , ꞈ peaking (rising-falling) tone or intonation removed ˜ , ̰ "wavy" tone or intonation removed ˙ , · ,. atonic syllable with high, mid, and low pitch; respectively removed ́, ̂, ̀, ̆: Acute ...
“The staccato uptick, often called ‘upspeak’ or ‘high rising terminal’ by linguists, is an increasingly common feature of Gen Z dialogue characterized by a rising pitch at the end of ...
It can also refer to a low or high intonational tone at the beginning of an utterance or intonational phrase. The term was first introduced in a PhD thesis on English intonation by Mark Liberman in 1975 but without being developed further. [1] It was taken up again in 1980 in another PhD thesis on English intonation by Janet Pierrehumbert. [2]
Inquisitive rising declaratives are characterized phonologically by a low pitch accent which rises to a high boundary tone, or L* H-H% in the ToBI system. Their discourse effects are similar to biased questions in that they seek information from the addressee while conveying that the speaker already have certain expectations.
The following is the chart of the International Phonetic Alphabet, a standardized system of phonetic symbols devised and maintained by the International Phonetic Association.
Common intonation patterns of Maltese English are a high rising terminal in polar questions and interrogatives, including questions disguised as statements, as opposed to the falling or rising-falling intonation in RP. [34] The same pattern is observed in declarative statements and imperatives. [35]