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The final concerto Mozart wrote before the end of his Salzburg period was the well-known Concerto No. 10, K. 365 for two pianos: the presence of the second piano disturbs the "normal" structure of piano-orchestra interaction.
0–9. Piano Concertos Nos. 1–4 (Mozart) Piano Concertos K. 107 (Mozart) Piano Concerto No. 5 (Mozart) Piano Concerto No. 6 (Mozart) Piano Concerto No. 7 (Mozart)
Among Mozart's piano works, none are explicitly written with a part for a pedal-board. However, according to Leopold's report, at the first performance of Piano Concerto No. 20 in D Minor (K. 466), Mozart, who was the soloist and conductor, used his own piano, equipped with a pedal-board.
The three movements of the concerto are listed as follows: Allegro; Andante ma un poco adagio (in G major) Rondo: Allegro; This concerto was a favorite of Mozart's and is mentioned in many of his letters. [1] The autograph manuscript, which was last reported to be in the possession of F. A. Grassnick in 1862, is now lost.
The concerto departs from the usual solo piano concerto with the dialogue between the two pianos as they exchange musical ideas. [3] Mozart divides up the more striking passages quite evenly between the two pianos. Also, the orchestra is rather more quiet than in Mozart's other piano concertos, leaving much of the music to the soloists.
Wolfgang Amadeus Mozart began his series of preserved piano concertos with four that he wrote in Salzburg at the age of 11 : K. 37 and 39–41. The autographs, all held by the Jagiellonian Library, Kraków, are dated by his father as having been completed in April (K. 37) and July (K. 39–41) of 1767.
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