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Rogier van der Weyden (Dutch: [roːˈɣiːr vɑn dər ˈʋɛidə(n)]; 1399 or 1400 – 18 June 1464), initially known as Roger de le Pasture (French: [ʁɔʒe d(ə) la pastyʁ]), was an early Netherlandish painter whose surviving works consist mainly of religious triptychs, altarpieces, and commissioned single and diptych portraits.
Most of the works of Rogier van der Weyden consist of triptychs, diptychs or polyptychs, each including more than one panel. Some are dismembered and the parts are kept in different museums. Some panels are only fragmentary remains. This list features the paintings accepted as authentic by Dirk de Vos (2000). They are listed chronologically ...
The Descent from the Cross c. 1435.Oil on oak panel, 220cm × 262 cm. Museo del Prado, Madrid The Descent from the Cross (or Deposition of Christ, or Descent of Christ from the Cross, or in Flemish Kruisafneming) is a panel painting by the Flemish artist Rogier van der Weyden created c. 1435, now in the Museo del Prado, Madrid.
Rogier van der Weyden, Portrait of a Lady, c. 1460, National Gallery of Art, Washington, D.C. 34 × 25.5 cm (13 × 10 in). Portrait of a Lady (or Portrait of a Woman) is a small oil-on-oak panel painting executed around 1460 by the Netherlandish painter Rogier van der Weyden.
The Annunciation Triptych is an oil-on-panel triptych by the Netherlandish artist Rogier van der Weyden, dating from around 1434.It was originally formed by three panels, the central one being now at The Louvre museum in Paris, France; the side panels are at the Galleria Sabauda of Turin, Italy.
The Lamentation of Christ is an oil-on-panel painting of the common subject of the Lamentation of Christ by the Netherlandish artist Rogier van der Weyden, dating from around 1460–1463 and now in the Uffizi Gallery, Florence, Italy.
Museum der bildenden Kunste Visitation is a c.1445 oil on panel painting of the Visitation by Rogier van der Weyden , now in the Museum der bildenden Künste in Leipzig . It is linked to Luke 1:40.
Virgin and Child with Saints, [3] is a large mid-15th century oil-on-oak altarpiece by the early Netherlandish painter Rogier van der Weyden. The work is lost since at least the 17th century, known only through three surviving fragments and drawing of the full work in Stockholm's Nationalmuseum by a follower of van der Weyden. [4]