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Harling as a process covers stonework using a plastering process involving a slurry of small pebbles or fine chips of stone. After a wall is complete and has been pointed and allowed to cure then a base of lime render is applied to the bare stone. While this render is still wet a specially shaped trowel is used to throw the pebbles onto the ...
Rendered house in Greece Rendered house in France. Cement render or cement plaster is the application of a mortar mix of sand and cement, (optionally lime) and water to brick, concrete, stone, or mud brick. It is often textured, colored, or painted after application. It is generally used on exterior walls but can be used to feature an interior ...
Stucco used as an exterior coating on a residential building. Rock dash stucco used as an exterior coating on a house on Canada's west coast. The chips of quartz, stone, and colored glass measure approx. 3–6 mm (1/8–1/4"). The basic composition of stucco is lime, water, and sand. [4]
Roughcast or pebbledash is a coarse plaster surface used on outside walls that consists of lime and sometimes cement mixed with sand, small gravel and often pebbles or shells. [1] The materials are mixed into a slurry and are then thrown at the working surface with a trowel or scoop.
The appearance of rustication, creating a rough, unfinished stone-like surface, can be worked on a wooden exterior. This process became popular in 18th century New England to translate the features of Palladian architecture to the house-carpenter's idiom: in Virginia Monticello and Mount Vernon both made use of this technique. Mount Vernon in ...
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Fresco (pl. frescos or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall.
Various types of models and moulds are made with plaster. In art, lime plaster is the traditional matrix for fresco painting; the pigments are applied to a thin wet top layer of plaster and fuse with it so that the painting is actually in coloured plaster. In the ancient world, as well as the sort of ornamental designs in plaster relief that ...
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