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The Đại Việt sử ký tục biên or the Cảnh Trị edition (1665), that was the era name of Lê Huyền Tông has a better status of conservation but the most popular and fully preserved version of Đại Việt sử ký toàn thư until now is the Chính Hòa edition (1697) which was the only woodblock printed version of this work. [12]
To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed Moonlight Sonata) is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" (Piano Sonata No. 13 in E-flat ...
In music, Op. 9 stands for Opus number 9. Compositions that are assigned this number include: Adams – Chamber Symphony; Adès – Living Toys; Bartók – Four Dirges; Beethoven – String Trios, Op. 9; Chopin – Nocturnes, Op. 9; Dohnányi – Symphony No. 1; Kabalevsky – Piano Concerto No. 1
One of the better known nocturnes, this piece has a rhythmic freedom that came to characterize Chopin's later work. The left hand has an unbroken sequence of eighth notes in simple arpeggios throughout the entire piece, while the right hand moves with freedom, occasionally in patterns of seven, eleven, twenty, and twenty-two in the form of polyrhythms.
The Symphony No. 9 in E minor, "From the New World", Op. 95, B. 178 (Czech: Symfonie č. 9 e moll "Z nového světa"), also known as the New World Symphony, was composed by Antonín Dvořák in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895.
Dmitri Shostakovich's String Quartet No. 9 in E-flat major, Op. 117, was composed in 1964 and premiered by the Beethoven Quartet. The Ninth Quartet was dedicated to his third wife, Irina Antonovna Shostakovich, a young editor he married in 1962.
The String Quartet No. 9 in C major, Op. 59, No. 3, was written by Ludwig van Beethoven and published in 1808. This work is the third of three of his " Razumovsky " cycle of string quartets, and is a product of his "middle" period.
Evgeny Kissin recorded Nos. 1-2, 4-6, and 9 on the RCA Victor Red Seal label, May 16 and 17, 1988, in Watford Town Hall. The recording also includes the Piano Concerto No. 2, Opus 18, with the London Symphony Orchestra and Valery Gergiev conducting. [6] Another recording of the Op. 39 Études-Tableaux is by Alexander Melnikov on the Harmonia ...