Search results
Results from the WOW.Com Content Network
The windows of Sainte-Chapelle are believed to have been made by three different workshops, with slightly different styles. [13] Some seem to have been influenced by new developments in illuminated manuscripts. The designs of the glass displayed rich decoration, an elegance of figures and a precision of gestures not seen before in stained glass.
Descriptions of the history and imagery of the windows is contained in the following sources: Bigland, Ralph, An Account of the Parish of Fairford in the County of Gloucester with a Particular Description of the Stained Glass in the Windows of the Church, Engravings of Ancient Monuments with Inscriptions, etc., etc., London, 1791, pp. 6–10
Medieval stained glass is the colored and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
Unlike the upper windows showing large full-length images of major figures, the lower windows are meant to be seen close-up. Made up of successive panels, generally reading bottom to top and left to right, they show narratives from the Bible, the apocrypha and lives of the saints, many also appearing in the Golden Legend , written fifty years ...
21 Vintage Photos of Christmas Window Displays From the Last 100 Years. Karla Pope. December 11, 2024 at 5:12 PM. Revisit: Vintage Christmas Window Displays H. Armstrong Roberts/ClassicStock ...
Clayton and Bell was one of the most prolific and proficient British workshops of stained-glass windows during the latter half of the 19th century and early 20th century. [1] The partners were John Richard Clayton (1827–1913) and Alfred Bell (1832–1895).
Oculi: These could be open or blind, could be glazed or filled with thin alabaster.During the late Gothic period very large ocular windows were common in Italy, being used in preference to traceried windows and being filled with elaborate pictures in stained glass designed by the most accomplished Late Medieval and Early Renaissance designers including Duccio, Donatello, Uccello and Ghiberti.
5 Key Elements of Biophilic Design. Biophilic design can be direct (using elements like trees, grass, and water) or indirect (natural colors, images of nature, organic shapes, and materials).