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  2. Preaching chords - Wikipedia

    en.wikipedia.org/wiki/Preaching_chords

    The exact origin of preaching chords being played in African American Baptist and Pentecostal churches is relatively unknown, but is mostly believed to have started in either the early or mid-20th Century, at a time when many African-American clergymen and pastors began preaching in a charismatic, musical call-and-response style. [3]

  3. Shout (Black gospel music) - Wikipedia

    en.wikipedia.org/wiki/Shout_(Black_gospel_music)

    The shout music tradition originated within the church music of the Black Church, parts of which derive from the ring shout tradition of enslaved people from West Africa.As these enslaved Africans, who were concentrated in the southeastern United States, incorporated West African shout traditions into their newfound Christianity, the Black Christian shout tradition emerged—albeit not in all ...

  4. Traditional sub-Saharan African harmony - Wikipedia

    en.wikipedia.org/wiki/Traditional_sub-Saharan...

    Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).

  5. Black Gospel music - Wikipedia

    en.wikipedia.org/wiki/Black_Gospel_music

    Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...

  6. Spirituals - Wikipedia

    en.wikipedia.org/wiki/Spirituals

    Spirituals (also known as Negro spirituals, African American spirituals, [1] Black spirituals, or spiritual music) is a genre of Christian music that is associated with African Americans, [2] [3] [4] which merged varied African cultural influences with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade [5] and for centuries afterwards, through ...

  7. Sub-Saharan African music traditions - Wikipedia

    en.wikipedia.org/wiki/Sub-Saharan_African_music...

    The music of West Africa must be considered under two main headings: in its northernmost and westernmost parts, many of the above-mentioned transnational sub-Saharan ethnic influences are found among the Hausa, the Fulani, the Wolof people, the Mande speakers of Mali, Senegal and Mauritania, the Gur-speaking peoples of Mali, Burkina Faso and ...

  8. Up Above My Head - Wikipedia

    en.wikipedia.org/wiki/Up_Above_My_Head

    I hear music in the air (I hear music in the air) Up above my head (up above my head) I hear music in the air (I hear music in the air) I really do believe (I really do believe) There's a Heaven up there." Each additional verse is the same as the first, the word "music" replaced with another word (such as "singing," "shouting," et cetera).

  9. Death Don't Have No Mercy - Wikipedia

    en.wikipedia.org/wiki/Death_Don't_Have_No_Mercy

    "Death Don't Have No Mercy" is composed with words and music by Davis. It features techniques of arrangement and performance from his gospel songs, alongside his style of blues guitar. [20] Davis' guitar accompaniment for the song is a relatively simple chord progression, performed in the key of G-flat major.

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