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t. e. Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic [1][2][3] qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet.
The poem consists of four stanzas of five lines each. With the rhyme scheme as ABAAB, the first line rhymes with the third and fourth, and the second line rhymes with the fifth. The meter is iambic tetrameter, with each line having four two-syllable feet, though in almost every line, in different positions, an iamb is replaced with an anapest. [5]
Poetic devices. Poetic devices are a form of literary device used in poetry. Poems are created out of poetic devices via a composite of: structural, grammatical, rhythmic, metrical, verbal, and visual elements. [1] They are essential tools that a poet uses to create rhythm, enhance a poem's meaning, or intensify a mood or feeling.
The earliest English poetry. The earliest known English poem is a hymn on the creation; Bede attributes this to Cædmon (fl. 658–680), who was, according to legend, an illiterate herdsman who produced extemporaneous poetry at a monastery at Whitby. This is generally taken as marking the beginning of Anglo-Saxon poetry.
This group aimed to write poetry that spoke directly of everyday experience in everyday language and produced a poetry of urbane wit and elegance that contrasts with the work of their Beat contemporaries (though in other ways, including their mutual respect for American slang and disdain for academic or "cooked" poetry, they were similar).
William Shakespeare's first plays were written in the conventional style of the day. He wrote them in a stylised language that does not always spring naturally from the needs of the characters or the drama. [1] The poetry depends on extended, elaborate metaphors and conceits, and the language is often rhetorical —written for actors to declaim ...
Poetic diction is the term used to refer to the linguistic style, the vocabulary, and the metaphors used in the writing of poetry.In the Western tradition, all these elements were thought of as properly different in poetry and prose up to the time of the Romantic revolution, when William Wordsworth challenged the distinction in his Romantic manifesto, the Preface to the second (1800) edition ...
In the dark lady poems, the seduction has already succeeded; its consequences [h] are overwhelmingly shame and anger. Desire in the young man is of a different order, intense but also idealized and Platonic in a way which male Petrarchists writing about women often attempt but seldom achieve.