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Mmanwu // ⓘ is a traditional masquerade of the Igbo people of Southeastern Nigeria. They are performed only by males in exclusive secret societies and involve the use of elaborate, colorful costumes that are meant to invoke ancestral spirits. [1] Masquerade traditions have a varied range of purposes that span from performing elements of epic ...
Ijele is a special masquerade in Anambra and Enugu State, Nigeria. It is the King of all Masquerades and as such has 45 different other masquerades perform on top of it in the olden days. Presently, the 45 masquerades are represented by the 45 figurines seen on top of Ijele. The myth and size of Ijele is wholesome as every aspect of life is ...
Igbo art. Igbo art (Igbo: Ǹkà Igbo) is any piece of visual art originating from the Igbo people. The Igbo produce a wide variety of art including traditional figures, masks, artifacts and textiles, plus works in metals such as bronze. Artworks from the Igbo have been found from as early as 9th century with the bronze artifacts found at Igbo Ukwu.
Many types of masks are used by the Northern Edo. Like most masks created in Africa, it represents the presence of a spirit. The intention behind an African mask is not to depict something realistic or naturalistic, as the African ideal aspires to capture the essence of the spirit represented. Therefore, abstraction and distortion are often seen.
Igbo Art is known for various types of masquerades, masks, outfits (symbolizing people), animals and abstract conceptions. Igbo art is also known for its bronze castings found in the town of Igbo Ukwu from the 9th century. [8]
Female masks of the Punu people of Gabon, for example, have long curved eyelashes, almond-shaped eyes, thin chin, and traditional ornaments on their cheeks, as all these are considered good-looking traits. [17] Feminine masks of the Baga people have ornamental scars and breasts. In many cases, wearing masks that represent feminine beauty is ...
Moremi Ajasoro. Statue of Moremi Ajasoro in Ife, Osun State, Nigeria. Moremi Ajasoro (Yoruba: Mòremí Àjáṣórò) was a legendary Yoruba queen and folk heroine in the Yorubaland region of present-day southwestern Nigeria who assisted in the liberation of the Yoruba kingdom of Ife from the neighbouring Ugbo Kingdom. [1]
The Ejagham, an East Nigerian ethnic group, was the first to make skin covered masks and dance in them. The Nigerian and Cameroon regions share similar tribal organizations and traditional masks. Nkwa-mbuk, a mask-wearing society of the Ekoi, performed rituals such as human sacrifices and head hunting.
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