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Decoupage or découpage ( / ˌdeɪkuːˈpɑːʒ /; [ 1] French: [dekupaʒ]) is the art of decorating an object by gluing colored paper cutouts onto it in combination with special paint effects, gold leaf, and other decorative elements. Commonly, an object like a small box or an item of furniture is covered by cutouts from magazines or from ...
It is a wide screen having two feet on each side, the arrangement of the feet giving the screen its name. Placed in front of the unused fireplace, the decorated screen improves the appearance of a room. Screens are decorated with embroidery, papier maché, painted wood or perhaps stained glass; the frame and feet might be carved.
Tracery is an architectural device by which windows (or screens, panels, and vaults) are divided into sections of various proportions by stone bars or ribs of moulding. [ 1] Most commonly, it refers to the stonework elements that support the glass in a window. The purpose of the device is practical as well as decorative, because the ...
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
France. French Gothic stained glass windows were an important feature of French Gothic architecture, particularly cathedrals and churches built between the 12th century and 16th century. While stained glass had been used in French churches in the Romanesque period, the Gothic windows were much larger, eventually filling entire walls.
The walls and even the Ionic columns in this room are covered in decorative and moulded ceramic tile, the ceiling consists of elaborate designs on enamelled metal sheets and matching stained-glass windows, and the marble fireplace [58] was designed and sculpted by Alfred Stevens and was removed from Dorchester House prior to that building's ...
Medieval stained glass is the coloured and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
To make the wall-to-wall brick fireplace a worthy focal paint, she teamed rich midnight blue and zesty orange grasscloth wallpaper together, dividing the duo with an expansive floating wood mantle.