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Propaganda, a book written by Edward Bernays in 1928, incorporated the literature from social science and psychological manipulation into an examination of the techniques of public communication. Bernays wrote the book in response to the success of some of his earlier works such as Crystallizing Public Opinion (1923) and A Public Relations ...
The parable of the broken window was introduced by French economist Frédéric Bastiat in his 1850 essay "That Which Is Seen, and That Which Is Not Seen" (" Ce qu'on voit et ce qu'on ne voit pas ") to illustrate why destruction, and the money spent to recover from destruction, is not actually a net benefit to society.
Understanding Media. Understanding Media: The Extensions of Man is a 1964 book by Marshall McLuhan, in which the author proposes that the media, not the content that they carry, should be the focus of study. He suggests that the medium affects the society in which it plays a role mainly by the characteristics of the medium rather than the content.
The invisible hand is a metaphor inspired by the Scottish economist and moral philosopher Adam Smith that describes the incentives which free markets sometimes create for self-interested people to accidentally act in the public interest, even when this is not something they intended. Smith originally mentioned the term in two specific, but ...
The central creation myth is that an invisible and undetectable Flying Spaghetti Monster created the universe after drinking heavily. Pirates are revered as the original Pastafarians. [13] The FSM community congregates at Henderson's website to share ideas about and sightings of the Flying Spaghetti Monster, and display crafts representing ...
Subversion and containment is a concept in literary studies introduced by Stephen Greenblatt in his 1988 essay "Invisible Bullets". [1] It has subsequently become a much-used concept in new historicist and cultural materialist approaches to textual analysis. Literary critic Louis A. Montrose writes that the terms are often used to refer to the ...
The same image viewed by white, blue, green, and red lights reveals different hidden numbers. Steganography (/ ˌ s t ɛ ɡ ə ˈ n ɒ ɡ r ə f i / ⓘ STEG-ə-NOG-rə-fee) is the practice of representing information within another message or physical object, in such a manner that the presence of the concealed information would not be evident to an unsuspecting person's examination.
The field of comparative media system research has a long tradition reaching back to the study Four Theories of the Press by Siebert, Peterson and Schramm from 1956. This book was the origin of the academic debate on comparing and classifying media systems, [2] whereas it was normatively biased [3] and strongly influenced by the ideologies of the Cold War era. [4]