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John Thomas Spike (born November 8, 1951, in New York City) is an American art historian, curator, and author, specializing in the Italian Renaissance and Baroque periods. He is also a contemporary art critic and past director of the Florence Biennale .
A disease kills all men over 14 years old, but 10 years later, one is found still alive and hilarity ensues. Based on the 1923 novelette of the same name by John D. Swain. Was remade in 1933 as the musical It's Great to Be Alive. Novel 1926 Technology The Metal Giants: Edmond Hamilton: Novel 1928, 1929 Eco Deluge and Dawn: S. Fowler Wright
Spike, Mike, Slackers, & Dykes: A Guided Tour Across a Decade of American Independent Cinema (1996) is a non-fiction book about independent cinema by John Pierson. [1] [2] The title references Pierson's interactions with Spike Lee, Michael Moore, Richard Linklater of the film Slacker and the lesbian-oriented film Go Fish.
John C. Thomas is an American screenwriter based in California. With his brother Jim Thomas , he wrote and/or was substantially involved with the screenplays of numerous films - including Predator (1987), Predator 2 (1990), Executive Decision (1996), Wild Wild West (1999), and Behind Enemy Lines (2001), which spawned a franchise.
Fallout: Equestria is a post-apocalyptic fan fiction novel based on the Fallout and My Little Pony: Friendship is Magic series. It was originally published by pseudonymous user Kkat on April 12, 2011. [1] It is split into five volumes, totalling 620,000 words across more than 2,000 pages.
John Thomas and Lady Jane is a 1927 novel by D. H. Lawrence. The novel is the second, less widely known, version [1] of a story that was later told in the more famous, once-controversial, third version Lady Chatterley's Lover, published in 1928. John Thomas [2] [3] and Lady Jane [4] [5] [6] are the pet names [7] for the genitalia of the ...
This is a partial list of works that use metafictional ideas. Metafiction is intentional allusion or reference to a work's fictional nature. It is commonly used for humorous or parodic effect, and has appeared in a wide range of mediums, including writing, film, theatre, and video gaming.
Walls-Thumma suggests that these barriers, and the resulting fragmentation of fans into groups that functioned as communities, has helped to create fan fiction writers "who are not only well read but also insightful and critical of Tolkien's texts." [24] Web access has enabled extensive public dialogue between fan fiction creators and other ...