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Francis Bacon: Human Presence contains enough variety of works in its climactic sections to account for the stronger and weaker aspects of the later Bacon, while veering thankfully towards the former.
Three Studies for Figures at the Base of a Crucifixion is a 1944 triptych painted by the Irish-born British artist Francis Bacon. The canvasses are based on the Eumenides —or Furies—of Aeschylus 's Oresteia , and depict three writhing anthropomorphic creatures set against a flat burnt orange background.
Francis Bacon (28 October 1909 – 28 April 1992) was an Irish-born British figurative painter known for his raw, unsettling imagery. Focusing on the human form, his subjects included crucifixions, portraits of popes, self-portraits, and portraits of close friends, with abstracted figures sometimes isolated in geometrical structures.
Three Figures in a Room is a 1964 oil-on-canvas triptych painting by British artist Francis Bacon. Each panel measures 198 × 147 centimetres (78 × 58 in) and shows a separate view of his lover George Dyer, whom Bacon first met in 1963. It is the first of Bacon's works to feature Dyer, a model to whom he returned repeatedly in his paintings.
This work is among Bacon's most important, and, containing characteristics of both, is seen by critics as a divider between his early "raw" work, and the later, more clinically observed triptychs. The Irish-born artist Francis Bacon (1909–1992) painted 28 known [ 1 ] triptychs between 1944 and 1986. [ 2 ]
Francis Bacon, 1st Viscount St Alban, KC (22 January 1561 – 9 April 1626) was an English philosopher, statesman, scientist, lawyer, jurist, author, and pioneer of the scientific method. He served both as Attorney General and Lord Chancellor of England. Although his political career ended in disgrace, he remained extremely influential through ...
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Three Studies for a Portrait of Henrietta Moraes is one of Bacon's most intimate portraits, described by art critic John Russell as a portrait of a person known by the artist "as minutely as one human being can know another". [2] The frames are not intended as a narrative, that is not intended to be read from left to right.