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Liam Kelly and Nick Kozakis directed the music video, which was released on 24 June 2019, produced by Visible Studios. [12] It follows the character "Mr. Tones" (played by Tones and I), an elderly man who sneaks out of a care home with his friends so they can go to a golf course and have a dance party with other senior citizens.
Suede peaked at fame in late-2016 and early-2017 when he earned himself three charting Billboard songs, with "You Name It!," [3] a Thanksgiving theme song which sampled vocals from the "Hold My Mule" sermon sung by Pastor Shirley Caesar, [4] and received heavy promotion from Chris Brown to be turned into the #UNameIt challenge, [5] "I Got Skills," a collaboration with the Backpack Kid, Russell ...
Issue date Club Play Song Artist Maxi-Singles Sales Artist Reference(s) January 2 "Believe" Cher "Believe" Cher [1] [2]January 9 [3] [4]January 16 "Up and Down" Vengaboys [5] [6]
Dance, No One's Watching is the band's follow-up to their Mercury Prize-winning 2022 album Where I'm Meant to Be. [1] [2] The album's first single, "Ajala", was released on 24 April 2024. [3] The song was recorded in Lagos in October 2023. [3]
These are The Official UK Charts Company UK Dance Chart number one hits of 1999. [1] The dates listed in the menus below represent the Saturday after the Sunday the chart was announced, as per the way the dates are given in chart publications such as the ones produced by Billboard, Guinness, and Virgin.
Julia Roberts has said she repeatedly asked for a different song to be used during her dance scene in Leave The World Behind.. The Netflix end-of-the-world thriller, directed by Mr Robot creator ...
BeatKing, whose club music anthems earned him the name Club Godzilla, achieved his biggest hit in 2020 when his song “Then Leave" went viral on social media and peaked at No. 3 on Billboard’s ...
"God Must Have Spent) A Little More Time on You" is a song by American boy band NSYNC. It was released as the third single from their self-titled debut album in the U.S. . While some of the previous singles were released in Europe, this one was not, and subsequently only charted in Australia and the US, reaching number 46 and number eight respecti