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Saint Francis began to improvise hymns of praise as he wandered the hills behind Assisi, begging for stones to restore the church of San Damiano. [16] These developed into full hymns later. His Salutation to the Blessed Virgin Mary is a collection of greetings that form a litany of greetings to the Virgin Mary. [17]
Catholic Marian music shares a trait with some other forms of Christian music in adding another emotional dimension to the process of veneration and in being used in various Marian ceremonies and feasts. Marian music is now an inherent element in many aspects of the veneration of the Blessed Virgin Mary in Catholic Mariology.
A religious processional banner from the Holy House of Mercy in Lisbon (1784) depicting the Virgin of Mercy; the first verse of the hymn is displayed below.. Sub Tuum Præsidium (Ancient Greek: Ὑπὸ τὴν σὴν εὐσπλαγχνίαν; English: Under your Protection) is an ancient Christian hymn and prayer dedicated to the Blessed Virgin Mary.
The following are Christian hymns dedicated to the Blessed Virgin Mary. ... Catholic Marian music; D. ... The Seven Joys of Mary (carol)
Chant notation of the "Regina caeli" antiphon in simple tone "Regina caeli" (Ecclesiastical Latin: [reˈdʒina ˈtʃeli]; Queen of Heaven) is a musical antiphon addressed to the Blessed Virgin Mary that is used in the liturgy of the Roman Rite of the Catholic Church during the Easter season, from Easter Sunday until Pentecost.
Canticle of the Blessed Virgin (Magnificat) Canticle of the Three Children; Careworn Mother Stood Attending; Come, Creator Spirit; Come Down, O Love Divine; Come, Holy Ghost; Come, Lord, and Tarry Not; Come My Way, My Truth, My Life; Come, rejoice Before Your Maker; Come, Thou Holy Spirit, Come; Come To Me; Come To My Mercy; Come, Ye Faithful ...
The Litany of the Blessed Virgin Mary is a Marian litany originally approved in 1587 by Pope Sixtus V. It is also known as the Litany of Loreto ( Latin : Litaniae lauretanae ), after its first-known place of origin, the Shrine of Our Lady of Loreto (Italy) , where its usage was recorded as early as 1558.
In a style reminiscent of Old Testament poetry and song, Mary praises the Lord in alignment with this structure: Mary rejoices that she has the privilege of giving birth to the promised Messiah (Luke 1:46–48). She glorifies God for His power, holiness, and mercy (Luke 1:49–50). Mary looks forward to God transforming the world through the ...