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Upper Paleolithic sites of the Near East, such as the Hayonim Cave, a cave located in a limestone bluff about 250 meters above modern sea level, in the Upper Galilee, Israel, have wall carvings depicting symbolic shapes and animals, such as a running horse dated to the Levantine Aurignacian circa 28000 BP, and visible in the Israel Museum.
The oldest are often constructed from hand stencils and simple geometric shapes. [5] [b] More recently, in 2021, cave art of a pig found in Sulawesi, Indonesia, and dated to over 45,500 years ago, has been reported. [7] [8] A 2018 study claimed an age of 64,000 years for the oldest examples of non-figurative cave art in the Iberian Peninsula.
In contrast, organic shapes are free-form, unpredictable, and flowing in appearance. These shapes and organic forms visually suggest the natural world of animals, plants, sky, sea, etc... The addition of organic shapes to a composition dominated by geometric structures can add unpredictable energy. [4] Bell-shaped flowers
Plains women traditionally paint abstract, geometric designs. [2] [3] Bright colors were preferred and areas were filled with solid fields of color. Cross-hatching was a last resort used only when paint was scarce. Negative space was important and designs were discussed by women in terms of their negative space. Dots are used to break up large ...
Geometric art is a phase of Greek art, characterized largely by geometric motifs in vase painting, that flourished towards the end of the Greek Dark Ages and a little later, c. 900–700 BC. [1] Its center was in Athens , and from there the style spread among the trading cities of the Aegean . [ 2 ]
The Nazca used this technique to "draw" several hundred simple, but huge, curvilinear animal and human figures. In total, the earthwork project is huge and complex: the area encompassing the lines is nearly 450 km 2 (170 sq mi), and the largest figures can span nearly 370 m (1,200 ft). [ 7 ]
Male gods are unusual among the Warli and are frequently related to spirits which have taken human shape. The central motif in the ritual painting is surrounded by scenes portraying hunting, fishing, and farming, and trees and animals. Festivals and dances are common scenes depicted in the ritual paintings.
Taken to its extreme it attempts to force naturally occurring shapes onto functional devices. [1] In his search for architectural reform the French architecte Viollet le Duc is the first to express this idea clearly : Like a botanist, Viollet le Duc analyzes details of nature in his books, subsequently making them undergo metamorphoses.
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