Search results
Results from the WOW.Com Content Network
On September 1, Ookay collaborated with English singer-songwriter Fox Stevenson to release the future bass track "Lighthouse" on Canadian independent record label Monstercat. [19] Erik of EDM Sauce described Lighthouse as "a bit repetitive at some points, which is really the only thing that is holding this tune back from a higher rating.
Title Year Album "Gem" (Bare featuring Ookay) 2013 Full Tilt - EP "Tempura Roll" (Yultron featuring Ookay, Kayzo and Dotcom) 2016 Sushi, Friends & Everything Awesome - EP
U.F.O.F. is the third studio album by the American band Big Thief, released through 4AD on May 3, 2019. [6]The album was recorded in June 2018 [7] at Bear Creek Studio, a secluded studio with lush nature surroundings in Woodinville, Washington. [8]
Suzannah Clark, a music professor at Harvard, connected the piece's resurgence in popularity to the harmonic structure, a common pattern similar to the romanesca.The harmonies are complex, but combine into a pattern that is easily understood by the listener with the help of the canon format, a style in which the melody is staggered across multiple voices (as in "Three Blind Mice"). [1]
(The Center Square) – A $60 million deficit facing the Memphis Area Transit Authority, a "friendly" restaurant deal in Lebanon and another fumble for Nashville's Nissan Stadium project topped ...
Thief (1981) is the fifteenth major release and second soundtrack album by Tangerine Dream. It is the soundtrack for the 1981 American neo-noir crime film Thief, directed by Michael Mann. [2] It reached No. 43 on the UK Albums Chart in a 3-week run. "Beach Theme" and "Beach Scene" are two different mixes of the same piece.
"Not" was performed live by Big Thief on The Late Show with Stephen Colbert on October 10, 2019. [16] Claire Shaffer of Rolling Stone described the performance as a "hard-rock spin" on the song with "distorted" guitars and "manic" drums, comparing Adrianne Lenker's "wailing" vocals to that of emo music. [17]
The Blue Jays song was conceptualized by Alan Smith, Creative Director at JWT Direct. He wrote most of the lyrics together with copywriter Pat Arbour, although the first verse was written entirely by recording artist Tony Kosinec of the Lenz/Kosinec jingle house, which was hired to write the music and produce the song under Smith and Arbour's direction.