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The kempyang and ketuk are two instruments in the gamelan ensemble of Indonesia, generally played by the same player, and sometimes played by the same player as the kenong. They are important beat-keepers in the colotomic structure of the gamelan. Depending on the structure, they play different, repeating patterns every gongan. Not all ...
This list is sorted by the number of tickets sold nationwide, according to the filmindonesia.or.id. [1] However, the information on filmindonesia.or.id was accrued only from 2007, making some films that was released before 2007 are not included or do not have an accurate number of admissions.
Ladrang form on the phrase making or colotomic instruments. p = kempyang, t = ketuk, ⋅ = pause, N = kenong, P = kempul, GONG = gong ageng. [1] Colotomy is an Indonesian description of the rhythmic and metric patterns of gamelan music. It refers to the use of specific instruments to mark off nested time intervals, or the process of dividing ...
Indonesian slang vernacular (Indonesian: bahasa gaul, Betawi: basa gaul), or Jakarta colloquial speech (Indonesian: bahasa informal, bahasa sehari-hari) is a term that subsumes various urban vernacular and non-standard styles of expression used throughout Indonesia that are not necessarily mutually intelligible.
Bahasa Indonesia is sometimes improperly reduced to Bahasa, which refers to the Indonesian subject (Bahasa Indonesia) taught in schools, on the assumption that this is the name of the language. But the word bahasa (a loanword from Sanskrit Bhāṣā) only means "language."
Noah, one of the most popular pop bands in Indonesia. Indo pop (Indonesian: Pop Indo), also known as Indonesian pop (Indonesian: Pop Indonesia) or I-pop, is loosely defined as Indonesian pop music; however, in a wider sense, it can also encompass Indonesian pop culture, which also includes Indonesian cinema and sinetrons (Indonesian TV dramas).
It was released on July 11, 2019, alongside Follow Me to Hell and Iqro: My Universe, and debuted with 178,000 audiences. [1] Dua Garis Biru became the second Indonesia's most-watched film in 2019 with a total of 2,538,473 audiences, grossing over IDR 70 billion. [2]
A Nation in Waiting: Indonesia's Search for Stability. 2nd Edition. St Leonards, NSW : Allen & Unwin. van Zanden J. L. An Economic History of Indonesia: 1800–2010 (Routledge, 2012) Tagliacozzo, Eric, ed. Producing Indonesia: The State of the Field of Indonesian Studies (Cornell Modern Indonesia Project) (2014) Essays by 27 scholars.