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The contrabassoon is a very deep-sounding woodwind instrument that plays in the same sub-bass register as the tuba, double bass, or contrabass clarinet.It has a sounding range beginning at B ♭ 0 (or A 0, on some instruments) and extending up over three octaves to D 4, though the highest fourth is rarely scored for.
This is a list of transposing instruments and their transposition. Transposing instruments are instruments for which the convention is to write music notation transposed relative to concert pitch . Instrument family
Some instruments are constructed in a variety of sizes, with the larger versions having a lower range than the smaller ones. Common examples are clarinets (the high E ♭ clarinet, soprano instruments in C, B ♭ and A, the alto in E ♭, and the bass in B ♭), flutes (the piccolo, transposing at the octave, the standard concert-pitch flute, and the alto flute in G), saxophones (in several ...
The earliest known contrabass clarinet was the contre-basse guerrière invented in 1808 by a goldsmith named Dumas of Sommières; little else is known of this instrument. . The batyphone (also spelled bathyphone, Ger. and Fr. batyphon) was a contrabass clarinet which was the outcome of W. F. Wieprecht's endeavor to obtain a contrabass for the reed instrume
The EE♭ contrabass with D♭ 1 as its lowest note lacks the lowest three notes of the contrabassoon. The EE♭ contrabass has also been used as an alternative to the EE♭ contrabass saxophone, which due to its large size is impractical in many musical situations, especially marching bands .
This key was originally added to allow easy transposition of parts for the relatively rare bass clarinet pitched in A, but it now finds significant use in concert band and other literature. A significant difference between soprano and bass clarinet key work is a key pad played by the left-hand index finger with a vent that may be uncovered for ...
While there are few orchestral works that call specifically for the contrabass saxophone, the growing number of contrabass saxophonists has led to the creation of an increasing body of solo and chamber music literature. It is particularly effective as a foundation for large ensembles of saxophones.
The semi-contrabassoon (also called quint bassoon, semi-contra or half-contra) is a double reed woodwind instrument pitched between the bassoon and the contrabassoon.It is pitched in either F (quint bass) or G (quart bass) a fifth or fourth, respectively, below the bassoon.