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Molla is the second female Telugu poet of note, after Tallapaka Timmakka, wife of Tallapaka Annamayya ("Annamacharya"). She translated the Sanskrit Ramayana into Telugu. [1] Her father Atukuri Kesanna was a potter of Gopavaram, a village in Gopavaram Mandal near Badvel town, fifty miles north of Kadapa in Andhra Pradesh state.
At Bhoomi's office, two employees who are in love with each other have a problem as the girl is an orphan and the boy's family wants to marry him off to a well-off family. Aakash convinces the boy's parents to accept the girl, and Bhoomi seems impressed with the conversation and begins enjoying his company.
After speaking with all the kings that serve you, didn’t you realize - amongst all the languages in the country, Telugu is the best! Amuktamalyada describes the pain of separation (viraha) experienced by Andal, who is described as the incarnate of Lakshmi , the consort of Vishnu .
Wife awaits her Husband, Verse 76, Amaru Shataka by Amaru, early 17th-century painting. The Amaruśataka or Amarukaśataka (अमरुशतक, "the hundred stanzas of Amaru"), authored by Amaru (also Amaruka), is a collection of poems dated to about the 7th [1] or 8th century.
The art form was developed particularly by Telugu poets in medieval times. [1] It involves the partial improvisation of poems using specific themes, metres, forms, or words. [2] There is a tradition of mentoring in Avadhanam. The best avadhanis have contributed to the oeuvres of Telugu and Kannada poetry.
Rarandoi Veduka Chudham (transl. Come, let's watch the celebrations) is a 2017 Indian Telugu-language romantic comedy film written and directed by Kalyan Krishna Kurasala, and produced by Nagarjuna Akkineni under Annapurna Studios banner.
Fidaa (transl. Spellbound) is a 2017 Indian Telugu-language romantic comedy film written and directed by Sekhar Kammula, and produced by Dil Raju under Sri Venkateswara Creations banner. The film stars Sai Pallavi and Varun Tej in the lead roles.
Sukumar chose to narrate the story of a boy who confesses his love to a girl right in the beginning of the story, as opposed to films like Darr (1993), Kabhie Haan Kabhie Naa (1994), and Kaadhal Kondein (2003), where the protagonist's love/obsession for the female lead is revealed towards the end, as he found that idea an "obsolete" one. [9]