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The Hinton St Mary Mosaic is a large, almost complete Roman mosaic discovered at Hinton St Mary, Dorset, England in 1963.It appears to feature a portrait bust of Jesus Christ as its central motif, which could be the oldest depiction of Jesus Christ anywhere in the Roman Empire. [1]
The Seven Sacraments Altarpiece is a fixed-wing triptych by the Early Netherlandish artist Rogier van der Weyden and his workshop. It was painted from 1445 to 1450, probably for a church in Poligny (Max J. Friedländer claimed that it was commissioned by the Bishop Jean Chevrot), [1] and is now in the Royal Museum of Fine Arts, Antwerp.
The second series was painted for Paul Fréart de Chantelou from 1644 to 1648 and was acquired by Francis Egerton, 3rd Duke of Bridgewater in 1798. The paintings passed by descent to the Earls of Ellesmere, the last of whom became the Duke of Sutherland in 1964.
A sacrament may be administered validly, but illicitly, if a condition imposed by canon law is not observed. Obvious cases are administration of a sacrament by a priest under a penalty of excommunication or suspension, or an episcopal ordination without the Pontifical mandate (except in certain circumstances outlined in Canon Law).
One hundred and eight stained glass panels and windows, including those in the Clerestory, were designed and constructed in Florence, Italy by Mellini Art Glass and Mosaics. [14] Most Reverend Joseph A. Fiorenza, now Archbishop Emeritus of the Galveston-Houston Archdiocese, oversaw construction of the new co-cathedral. [citation needed]
The expression seven sacraments mainly refers to: Sacrament. Sacraments of the Catholic Church; Eastern Orthodox Church § Holy mysteries (sacraments) Anglican ...
Mosaics were a particular feature of Byzantine architecture and are the main form of adornment of many Orthodox churches, both externally and internally. The most common theme in the decoration, both external and internal, of any church, is the salvation of humankind by Jesus Christ .
The mosaics found in Santa Maria Maggiore are combinations of different styles of mosaic art during the time, according to art scholar Robin Cormack: "the range of artistic expertise and the actual complexities of production can hardly be reduced to a mentality of copying. A test case is given by the mosaics of S. Maria Maggiore in Rome". [31]