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L.A. Confidential is a 1997 American neo-noir crime film directed, produced, and co-written by Curtis Hanson.The screenplay by Hanson and Brian Helgeland is based on James Ellroy's 1990 novel, the third book in his L.A. Quartet series.
The pilot is a special feature on the two-disc DVD and the Blu-ray releases of the film. In 2018, CBS ordered a new pilot based on the novel. [7] The pilot would star Walton Goggins as Vincennes, [8] Mark Webber as White, [9] Brian J. Smith as Exley, [10] Sarah Jones as Lynn, [11] Alana Arenas as June, [9] and Shea Whigham as Dick Stensland.
Pages for logged out editors learn more. Contributions; Talk; LA Confidential (film)
The film depicts the struggle of a dog trainer named Keys, who is black, trying to retrain a stray dog trained to make vicious attacks upon, and to kill, any black person. [20] White Dog was a 1970 novel, [ 21 ] whose story was purchased for use by Paramount in 1975, with Hanson selected to write the screenplay and Roman Polanski hired to direct.
What's with "L. A. Confidential"? The book cover and film title clearly list the name "L.A." without a space, as is the proper way of representing the city nickname. --Chancemichaels 20:18, 4 July 2007 (UTC)Chancemichaels . Agreed. The title is what the title is, and that trumps the naming conventions. I've moved both book and film articles back.--
Frolic Room is a popular Hollywood film location. Films and television shows that shot here include: LA Confidential, Once Upon a Time in Hollywood, The Black Dahlia, A Woman Under the Influence, Colombo, Bosch, and more. [6] [7]
American film and television studios terminated production of black-and-white output in 1966 and, during the following two years, the rest of the world followed suit. At the start of the 1960s, transition to color proceeded slowly, with major studios continuing to release black-and-white films through 1965 and into 1966.
White Jazz is a 1992 crime fiction novel by James Ellroy. It is the fourth in his L.A. Quartet, preceded by The Black Dahlia, The Big Nowhere, and L.A. Confidential. James Ellroy dedicated White Jazz "TO Helen Knode." The epigraph for White Jazz is "'In the end I possess my