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Sculpture of Raijin from Sanjūsangen-dō temple in Kyoto. Kamakura period, 13th century. Raijin (雷神, lit. "Thunder God"), also known as Kaminari-sama (雷様), Raiden-sama (雷電様), Narukami (鳴る神), Raikō (雷公), and Kamowakeikazuchi-no-kami is a god of lightning, thunder, and storms in Japanese mythology and the Shinto religion. [1]
Wind God and Thunder God; Artist: Ogata Kōrin: Year: early 18th century ()Catalogue: A-11189-1 (TNM catalogue)Type: byōbu folding screens ink and color on gold-foiled paper: Dimensions
Sanjūsangen-dō is most famous for its massively long hondō (main hall) dating from 1266 (Kamakura period) and designated a National Treasure of Japan, and the collection of sculptures it houses, including 1001 standing Thousand-armed Kannon, 28 standing attendants, a statue of Fūjin and a statue of Raijin, and the principal image of the ...
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Four statues are housed in the Kaminarimon, two in the front alcoves and two on the other side. On the front of the gate, the statues of the Shinto gods Fūjin and Raijin are displayed. Fūjin, the god of wind, is located on the east side of the gate, while Raijin, the god of thunder, is located on the west side.
The largest statue in this list and the largest gilt bronze statue in the world, and the main hall of Tōdai-ji, in which it is located, is the largest wooden structure in the world. [100] Nara period, 752. Head is a recast from the Edo period, hands date to the Momoyama period: Gilded bronze Seated Rushana Buddha: 14.868m
The screens depicts Raijin, the god of lightning, thunder and storms in the Shinto religion and in Japanese mythology, and Fūjin, the god of wind. All three versions of the work were displayed together for the first time in seventy-five years in 2015, at the Kyoto National Museum exhibition "Rinpa: The Aesthetics of the Capital".
Tawaraya Sōtatsu (俵屋 宗達, c. 1570 – c. 1640) was a Japanese furniture designer and painter of the Rinpa school.. Sōtatsu is best known for his decorations of calligraphic works by his partner Hon'ami Kōetsu (1558–1637), [1] and his spectacular and highly influential byōbu folding screens, such as National Treasures Wind God and Thunder God [2] and his painting of the Sekiya and ...
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