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The song's themes mix punk rock with classic rock. [7] The song is an elegy for a friend who died in a car accident, while the band was elsewhere performing a gig. [8] The singer, Brian Fallon, asks his deceased friend: "Did you hear the '59 Sound coming through on Grandmama's radio?", referring to late 1950s music that they listened to while growing up. [6]
Songfacts is a music-oriented website that has articles about songs, detailing the meaning behind the lyrics, how and when they were recorded, and any other info that can be found. [ 2 ] [ 3 ] [ 4 ]
SongMeanings is a music website that encourages users to discuss and comment on the underlying meanings and messages of individual songs. [ 1 ] [ 2 ] [ 3 ] As of May 2015, the website contains over 110,000 artists, 1,000,000 lyrics, 14,000 albums, and 530,000 members.
Traditional blues verses in folk-music tradition have also been called floating lyrics or maverick stanzas.Floating lyrics have been described as “lines that have circulated so long in folk communities that tradition-steeped singers call them instantly to mind and rearrange them constantly, and often unconsciously, to suit their personal and community aesthetics”.
In that particular song, the last few verses came first. So that's where the song was going all along. Obviously, the catalyst for the song is the title line. It's one of those where you write it on instinct. Kind of in a trance state. Most of my recent songs are like that. The lyrics are the real thing, tangible, they're not metaphors". [14]
The lyrics allude to the Biblical story of Noah's Ark, [42] and was written "in five minutes" for Yorke's infant son, Noah. [43] "Backdrifts" is an electronic song about "the slide backwards that's happening everywhere you look". [3] "Go to Sleep" begins with an acoustic guitar riff that the bassist, Colin Greenwood, likened to 1960s English ...
The 'Low Spark' meaning that strong undercurrent at the street level. [3] At 11 minutes and 44 seconds, it is the longest track on the album. The song (and the album) received wide praise, both in print and on broadcasts. [4] It begins with a gradual fade-in and ends with a slow fade-out.
Jonah Mendelson from The Michigan Daily praised the artists, saying that "every member of the collaboration comes through with some of the best work of their careers", while the song "is a reminder that not every great song has to contain avant-garde experimentation or deep metaphorical meaning — there is a place for well-crafted tracks that ...