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Wah-wah (or wa-wa) is an imitative word (or onomatopoeia) for the sound of altering the resonance of musical notes to extend expressiveness, sounding much like a human voice saying the syllable wah. The wah-wah effect is a spectral glide , a "modification of the vowel quality of a tone".
With lyrics by Norman Gimbel, titled as "Slow Hot Wind" (or "A Slow Hot Wind"), the song was recorded by Johnny Hartman (1964 album The Voice That Is!), Sarah Vaughan (1965 album Sarah Vaughan Sings the Mancini Songbook), Sérgio Mendes & Brazil '66 (1966 album Herb Alpert Presents), Roseanna Vitro (1991 album Reaching for the Moon), Julee Cruise (2002 album The Art of Being a Girl) and others.
The Hank Penny Show On Stage (Pen-Sound HP-100, 1967) Tobacco State Swing (Rambler RR-103, 1980) Hollywood Western Swing: The Best of Hank Penny 1944-1947 (Krazy Kat KK CD-25, 1999) Crazy Rhythm: The Standard Transcriptions (1951) (Bloodshot Revival BS-806, 2000) The Penny Opus #1 (Jasmine JASMCD-3520, 2000)
Ramosa and Nkabinde joined them, and they developed a unique sound: Unlike earlier kwela groups, they incorporated guitar and vocal harmony. The "jive flute" in the name Elias and His Zig-Zag Jive Flutes is the penny whistle. [2] In 1956, the four were signed to EMI South Africa by the label's "black music" record producer, Rupert Bopape. [2]
Of the robot voice effects listed here, this one requires the least resources, since delay units are a staple of recording studios and sound editing software. As the effect deprives a voice of much of its musical qualities (and has few options for sound customization), the robotic delay is mostly used in TV/movie applications.
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Critics are sounding the alarm over the "Daniel Penny effect" happening after a woman was burned alive on an NYC subway train as people stood by and recorded.
Shaka Bundu is the debut album by South African musician Penny Penny, released in 1994.Recorded over the space of one week using an Atari computer, Korg M1 synthesizer, and reel-to-reel tape, the album blends the Tsonga disco style of music with American house music, reflecting the popularity of American and British electronic dance music in South Africa.