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A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
It is also credited with the first recorded use of the term "liberal arts" or artes liberales, though whether Cicero coined the term is unclear. [2] [3] The text also defines the concept of dignitas: dignitas est alicuius honesta et cultu et honore et verecundia digna auctoritas (Dignity is honorable prestige. It merits respect, honour, and ...
In Schenkerian analysis, a structural level is a representation of a piece of music at a different level of abstraction, with levels typically including foreground, middleground, and background. [1] According to Schenker musical form is "an energy transformation, as a transformation of the forces that flow from background to foreground through ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
At this point, there is a difference to the ERAN as for the ERAN representations of regularities already exist in a long-term memory format and the incoming sound is integrated into a pre existent model of musical structure. (3)According to the model of musical structure, predictions concerning forthcoming auditory events are formed.
Many musical terms that are commonly used in English are Italian in origin. These terms should not be italicized. For example: attacca; aria; However, bear in mind that not all readers will understand the terms. If in doubt, provide a hyperlink to Italian musical terms used in English. For example: The second section is marked as Adagio
The term took on different meanings over time, adjusting for the gradually changing viewpoints of society, politicians, and the various authors. Years after Caesar's death, his heir Augustus rejected the contemporary meaning of dignitas. Augustus found the related term auctoritas to be a suitable alternative.
In Schenkerian analysis, the fundamental structure (German: Ursatz) describes the structure of a tonal work as it occurs at the most remote (or "background") level and in the most abstract form. A basic elaboration of the tonic triad, it consists of the fundamental line accompanied by the bass arpeggiation.