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In music, timbre (/ ˈ t æ m b ər, ˈ t ɪ m-, ˈ t æ̃-/), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or tone. Timbre distinguishes different types of sound production, such as choir voices and musical instruments.
Timbre composition is the art of creating new timbres. It is often performed electronically, either by combining sine waves (additive synthesis) or by filtering out harmonics from more complex waves (subtractive synthesis). Timbre composition is also significant for players of the electric guitar. The guitarist's relative proximity to his or ...
The composition of timbre-centered music in the nomadic communities of Tuva involves mimicry of sounds heard in the environment. Timbral listening is a fundamental component of listening to, understanding and being able to correctly perform this music using vocal techniques such as throat singing "khoomei" and harmonic producing instruments such as the jaw harp, bzaanchy, shoor, qyl qiyak, qyl ...
The most prominent feature in musical Impressionism is the use of "color", or in musical terms, timbre, which can be achieved through orchestration, harmonic usage, texture, etc. [3] Other elements of musical Impressionism also involve new chord combinations, ambiguous tonality, extended harmonies, use of modes and exotic scales, parallel ...
Flute timbre supports the detection of peace, whereas string timbre aids anger identification. Happy and sad assessments, on the other hand, rely primarily on relatively "low-level" structural information such as tempo. Both low-level cues (e.g., slow tempo) and timbre aid in the detection of peaceful music, but only timbre cued anger ...
It became a landmark in the development of serial music. Serialism was a continuation of the Second Viennese School's innovations. Composers like Karlheinz Stockhausen systematized musical parameters like pitch, rhythm, and timbre. [4] Klangfarbenmelodie was particularly influential in the development of electronic music. [9]
Dynamic tonality is a paradigm for tuning and timbre which generalizes the special relationship between just intonation, and the harmonic series to apply to a wider set of pseudo-just tunings and related [1] pseudo-harmonic timbres.
Envelope and TFS measurements can also be combined to form intelligibility and quality metrics. A family of metrics for speech intelligibility, [263] speech quality, [267] [268] and music quality [269] has been derived using a shared model of the auditory periphery [270] that can represent hearing loss. Using a model of the impaired periphery ...