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In the mid-1960s, rock and roll in its purest form was gradually overtaken by pop rock, beat, psychedelic rock, blues rock, and folk rock, which had grown in popularity. The country - and folk -influenced style [ 2 ] associated with the latter half of 1960s rock music spawned a generation of popular singer-songwriters who wrote and performed ...
A newly emerging style, which had its roots in the 1950s but exploded in the mainstream during the 1960s, was the "Bakersfield sound." Instead of creating a sound similar to mainstream pop music, the Bakersfield sound used honky tonk as its base and added electric instruments and a backbeat, plus stylistic elements borrowed from rock and roll.
John Milton Yinger originated the term "contraculture" in his 1960 article in American Sociological Review.Yinger suggested the use of the term contraculture "wherever the normative system of a group contains, as a primary element, a theme of conflict with the values of the total society, where personality variables are directly involved in the development and maintenance of the group's values ...
These are the number-one albums in the United States per Billboard magazine during the year 1960. From May 5, 1959, until August 1963, separate charts existed for albums in mono and stereo formats. During 1960, those charts were named Mono Action Albums and Stereo Action Albums.
The Digger was produced by an evolving collective, many of whom had previously produced counterculture newspapers Revolution and High Times, and all three of these magazines were co-founded by publisher/editor Phillip Frazer, who launched Australia's legendary pop music paper Go-Set in 1966, when he was himself a teenager.
Over the 1960s as a whole, the Beatles were the dominant youth-centred pop act on the sales charts. [14] " She Loves You", the band's second number-one single on the Record Retailer chart (subsequently adopted as the UK Singles Chart), [15] became the best-selling single in UK chart history, a position it retained until 1978. [16]
Music of the United Kingdom developed in the 1960s into one of the leading forms of popular music in the modern world. By the early 1960s the British had developed a viable national music industry and began to produce adapted forms of American music in Beat music and British blues which would be re-exported to America by bands such as the Beatles, the Animals and the Rolling Stones.
Some believed that such values were merely impositions of the cultural establishment. [19] Nonetheless, a widespread belief among music critics in the 1960s and 1970s was that truly artistic music was made by singer-songwriters using traditional rock instruments on long-playing albums, and that pop was on a lower aesthetic plane, a "guilty ...