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A maxim is thought to be part of an agent's thought process for every rational action, indicating in its standard form: (1) the action, or type of action; (2) the conditions under which it is to be done; and (3) the end or purpose to be achieved by the action, or the motive. The maxim of an action is often referred to as the agent's intention.
Walter Benjamin, "The Work of Art in the Age of Mechanical Reproduction", 1935; R. G. Collingwood, The Principles of Art, 1938; Monroe Beardsley, Aesthetics: Problems in the Philosophy of Criticism, 1958; George Kubler, The Shape of Time: Remarks on the History of Things, 1962; Nelson Goodman, Languages of Art: An Approach to a Theory of ...
Art historian Gao Minglu connects maximalism in Chinese visual art to the literary definition by describing the emphasis on "the spiritual experience of the artist in the process of creation as a self-contemplation outside and beyond the artwork itself...These artists pay more attention to the process of creation and the uncertainty of meaning ...
Writers of the Decadent movement used the slogan "Art for Art's Sake" (L'art pour l'art), the origin of which is debated. Some claim that it was created by the philosopher Victor Cousin, although Angela Leighton notes that it was used by Benjamin Constant as early as 1804 in the work On Form: Poetry, Aestheticism and the Legacy of a Word (2007 ...
The first maxim, "Know thyself", has been called "by far the most significant of the three maxims, both in ancient and modern times". [14] In its earliest appearances in ancient literature, it was interpreted to mean that one should understand one's limitations and know one's place in the social scale. [ 15 ]
In the English language, this work is known under three different titles. Although English publications about Schopenhauer played a role in the recognition of his fame as a philosopher in later life (1851 until his death in 1860) [4] and a three volume translation by R. B. Haldane and J. Kemp, titled The World as Will and Idea, appeared already in 1883–1886, [5] the first English translation ...
The essay is dedicated to the philosopher Ludwig Feuerbach, whose works (perhaps particularly Principles of the Philosophy of the Future), inspired some of its ideas. [2] In September and October 1849, Wagner had read both Feuerbach's Reflections on Death and Immortality and his The Essence of Christianity . [ 3 ]
The Wainwright Building in St. Louis, Missouri, designed by Louis Sullivan and built in 1891, is emblematic of his famous maxim "form follows function".. Form follows function is a principle of design associated with late 19th- and early 20th-century architecture and industrial design in general, which states that the appearance and structure of a building or object (architectural form) should ...