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One of the best-known cover versions of the song is from the German-based disco-group Boney M. from 1978, "Mary's Boy Child – Oh My Lord." [13] This version returned the song to the top of the UK chart. [6] It is one of the best-selling singles of all time in the UK, and has sold 1.87 million copies as of November 2015. [11]
"Mary's Boy Child / Oh My Lord" [nb 1] is a 1978 Christmas single by Boney M., a cover of Harry Belafonte's 1956 hit "Mary's Boy Child", put in medley with the new song "Oh My Lord". The single had its premiere on 2 November 1978 on the German TV-show "Starparade" (Episode 44) which aired on ZDF.
"The Little Drummer Boy" ("Carol of the Drum") written by Katherine K. Davis: 1941 "Love Came Down at Christmas" words: Christina Rossetti, music: various 1885 "The Lord at first did Adam make" words: West Country traditional "Mary's Boy Child" Jester Hairston [10] 1956 "Masters in This Hall" written by William Morris: c. 1860 "Night of Silence"
The album includes the million-selling 1978 Christmas number one "Mary's Boy Child/Oh My Lord" and it yielded two further single releases, "Little Drummer Boy" in 1981, which became a Top 20 hit in Germany.
The neighbouring island of St Kitts issued a complementary sheet with the slightly older song "Mary's Boy Child". The long-running BBC programme Songs of Praise invited viewers to vote for their favourite carols throughout 2005.
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
Hairston wrote the song "Mary's Boy Child" in 1956. He also arranged the song "Amen", which he dubbed for the Sidney Poitier film Lilies of the Field, and arranged traditional Negro spirituals. [16] Most of Hairston's film work was in the field of composing, arranging and choral conducting.
Musically, the song has a less raunchy sound than "Making Time" and is softer, but still features Phillips in one of the earliest recorded bowed guitar parts, which prevails throughout the entire composition. [15] [16] Shortly after Jones was reinstated into the group, they returned to IBC Studios on Portland Place in London on 23 August 1966. [17]
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