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Plate used to print ukiyo-e. Ukiyo-e is a Japanese printmaking technique which flourished in the 17th through 19th centuries. Its artists produced woodblock prints and paintings of subjects including female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Japanese flora and fauna; and erotica.
The name Nurarihyon is a portmanteau of the words "Nurari" (Japanese: ぬらり or 滑) meaning "to slip away" and "hyon" (Japanese: ひょん or 瓢), an onomatopoeia used to describe something floating upwards. In the name, the sound "hyon" is represented by the character for "gourd". [17]
Onnayu [1] (Ladies' Bath), a colored ukiyo-e print by Torii Kiyonaga (1752–1815) depicting a male sansuke (upper left corner) attending on women at a public bathhouse. Ukiyo (浮世, 'floating/fleeting/transient world') is the Japanese term used to describe the urban lifestyle and culture, especially the pleasure-seeking aspects, of Edo period Japan (1600–1867).
Ukiyo-e [a] (浮世絵) is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica.
The content of the box could therefore be the same, which would certainly explain why she protects it so much. It would cost lots of money and time to investigate the woman and her boat. Since it seems to be tradition to expose those boats at sea, the townspeople thought they should bring the woman back to the utsuro-bune and let her drift away ...
The people who work at sea took to an online thread on AskReddit to open up a “Full Size Refrigerator Just Floating”: 30 Wild Sightings At Sea To Make You Ever-More Cautious Skip to main content
The Krasue (Thai: กระสือ, pronounced [krā.sɯ̌ː]) is a nocturnal female spirit of Southeast Asian folklore.It manifests as the floating, disembodied head of a woman, usually young and beautiful, with her internal organs still attached and trailing down from the neck.
In Japanese mythology, Takamagahara (高天原, "Plane of High Heaven" or "High Plane of Heaven"), also read as Takaamanohara, Takamanohara, Takaamagahara, or Takaamahara, is the abode of the heavenly gods ().