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Gloria in excelsis Deo is an example of the psalmi idiotici ("private psalms", i.e., compositions by individuals in imitation of the biblical Psalter) that were popular in the 2nd and 3rd centuries. Other surviving examples of this lyric poetry are the Te Deum and the Phos Hilaron . [ 4 ]
"Angels We Have Heard on High" is generally sung to the hymn tune "Gloria", a traditional French carol as arranged by Edward Shippen Barnes.Its most memorable feature is its chorus, "Gloria in excelsis Deo", where the "o" of "Gloria" is fluidly sustained through 16 notes of a rising and falling melismatic melodic sequence.
Rutter, who composed many works to celebrate Christmas, wrote his own text for Angels' Carol, beginning "Have you heard the sound of the angel voices". [1] The text alludes to several aspects of the Christmas story, with the Latin refrain "Gloria in excelsis Deo" from the angels' song mentioned in the Gospel of Luke narration of the annunciation to the shepherds.
Gloria in excelsis Deo was written in Leipzig for Christmas Day, as indicated by the heading on the manuscript in Bach's own handwriting, "J.J. Festo Nativit: Xsti." (Jesu Juva Festo Nativitatis Christi – Celebration for the birth of Christ), to be sung around the sermon.
The Gloria in excelsis Deo, also called the Greater Doxology, is a hymn beginning with the words that the angels sang when the birth of Christ was announced to shepherds in Luke 2:14. Other verses were added very early, [ citation needed ] forming a doxology.
The hymn is thus one of a series that have drawn on that text, including Angels We Have Heard on High, Angels from the Realms of Glory, While Shepherds Watched Their Flocks, and, by far the most ancient, the Greater Doxology or Gloria in Excelsis Deo. The music is attributed to F.A. Schultz, of whom little is known except for references by ...
Antonio Vivaldi wrote at least three Gloria compositions, settings of the hymn Gloria in excelsis Deo, with words probably dating back to the 4th century, and an integral part of the mass ordinary. Two of them have survived: RV 588 and RV 589. A third, RV 590, is mentioned only in the Kreuzherren catalogue and presumed lost.
The text of the piece is the Gloria, the second part of the Latin Order of Mass. Rutter structured it in three movements, following the fast-slow-fast scheme typical of concertos: Allegro vivace – "Gloria in excelsis Deo" [6] Andante – "Domine Deus" [7] Vivace e ritmico – "Quoniam tu solus sanctus" [8]