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Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a cinematic term used primarily to describe stylized Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir.
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
Film noir is of course the dark, mysterious genre made popular in the 1940s and '50s and full of long shadows, shady characters, gloomy streets, inky nights and dimly lit rooms.
A sub-genre of noir fiction has been named "rural noir" in the US, [15] [16] and sometimes "outback noir" in Australia. [17] [18] Many rural noir novels have been adapted for film and TV series in both countries, such as Ozark, No Country for Old Men, [15] and Big Sky in the US, [19] and Troppo, The Dry, Scrublands, [17] and High Country (2024) in Australia.
FBI Girl is a 1951 American film noir crime film about a female FBI employee who becomes involved in a government plot involving corruption and murder. The film was directed by William A. Berke, and stars Cesar Romero, George Brent and Audrey Totter. It was made by Lippert Pictures. [1]
Crime Wave (also known as The City Is Dark) is a 1954 American film noir starring Sterling Hayden and Gene Nelson, and directed by Andre de Toth. [1] It was adapted from a short story which originally appeared in The Saturday Evening Post - "Criminal Mark" by John and Ward Hawkins.
Woman on the Run is a 1950 American crime film noir directed by Norman Foster and starring Ann Sheridan and Dennis O'Keefe. [1] The film was based on the April 1948 short story "Man on the Run" by Sylvia Tate. The film exists in the public domain and was restored and preserved by the UCLA Film and Television Archive.
Convicted is a 1950 American crime film noir directed by Henry Levin and starring Glenn Ford and Broderick Crawford. [1] It was the third Columbia Pictures film adaptation of the 1929 stage play The Criminal Code by Martin Flavin, following Howard Hawks's The Criminal Code (1931) and John Brahm's Penitentiary (1938).
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