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Intertextuality. Intertextuality is the shaping of a text's meaning by another text, either through deliberate compositional strategies such as quotation, allusion, calque, plagiarism, translation, pastiche or parody, [1][2][3][4][5] or by interconnections between similar or related works perceived by an audience or reader of the text. [6]
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Allusion. Allusion is a figure of speech, in which an object or circumstance from an unrelated context is referred to covertly or indirectly. [1][2] It is left to the audience to make a direct connection. [3] Where the connection is directly and explicitly stated (as opposed to indirectly implied) by the author, it is instead usually termed a ...
Free indirect speech is the literary technique of writing a character's first-person thoughts in the voice of the third-person narrator. It is a style using aspects of third-person narration conjoined with the essence of first-person direct speech. The technique is also referred to as free indirect discourse, free indirect style, or, in French ...
The narrator is an imperfect witness by definition, because they do not have a complete overview of events. Furthermore, they may be pursuing some hidden agenda (an " unreliable narrator "). Character weaknesses and faults, such as tardiness, cowardice, or vice, may leave the narrator unintentionally absent or unreliable for certain key events.
Definition. Story is a sequence of events, which can be true or fictitious, that appear in prose, verse or script, designed to amuse or inform an audience. [1] Story structure is a way to organize the story's elements into a recognizable sequence. It has been shown to influence how the brain organizes information. [2]
Metafiction is a form of fiction that emphasizes its own narrative structure in a way that inherently reminds the audience that they are reading or viewing a fictional work. Metafiction is self-conscious about language, literary form, and story-telling, and works of metafiction directly or indirectly draw attention to their status as artifacts. [1]
Imagism. The expatriate American poet Ezra Pound in 1913; Pound collected poems from eleven poets in his first anthology of Imagist poetry, Des Imagistes, published in 1914. Imagism was a movement in early-20th-century poetry that favored precision of imagery and clear, sharp language. It is considered to be the first organized modernist ...