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Sonnet 130 satirizes the concept of ideal beauty that was a convention of literature and art in general during the Elizabethan era. Influences originating with the poetry of ancient Greece and Rome had established a tradition of this, which continued in Europe's customs of courtly love and in courtly poetry, and the work of poets such as Petrarch.
Shakespeare's Sonnet 130, in which, “while declaring his love for his mistress, he mocks the Petrarchan standard vocabulary of praise”, is an example that marks English independence from the conventions of Petrarch. [9] The English sonnet sequences “exemplify the Renaissance doctrine of creative imitation as defined by Petrarch”. [10]
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First edition ()Nothing Like the Sun is a fictional biography of William Shakespeare by Anthony Burgess first published in 1964. It tells the story of Shakespeare's life with a mixture of fact and fiction, the latter including an affair with a black prostitute named Fatimah, who inspires the Dark Lady of the Sonnets.
At the end of the episode, after deducing that she is from the future, he calls her his "dark lady" and recites Sonnet 18 for her. Upstart Crow S1E4 names Emilia as the Dark Lady and portrays her as annoyed with her depiction in sonnet 130 and more receptive to Kit Marlowe's crude but direct flattery. The series also includes the character of ...
The term sonnet refers to a fixed verse poetic form, ... [130] The Baroque practice of incorporating sonnets along with other verse into plays, ...
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In Shakespeare's early comedies, the sonnets and sonnet-making of his characters are often objects of satire. In Two Gentlemen of Verona, sonnet-writing is portrayed cynically as a seduction technique. [63] In Love's Labour's Lost, sonnets are portrayed as evidence that love can render men weak and foolish. [64]