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Tuttomondo (1989) The Boxers (1987) Todos Juntos Podemos Parar el SIDA (1989) Tower (1987). Works are in the order that the Keith Haring Foundation's website has them in. [4] Many of Haring's works are untitled, part of a series, or have similar titles; the number given to artworks on the Keith Haring Foundation's website have been added in order to differentiate between artworks.
In December 2021, Haring's 1982 painting Untitled (Acrobats) from the collection of Peter M. Brant and Stephanie Seymour, sold for $5.5 million at Sotheby's in New York. [ 201 ] In 2022, the drawing of ''Radiant Baby'' that he had made on the wall of his childhood home in the early 1980s was removed by its owners (together with part of the wall ...
The concrete wall, on Houston St and the intersection of the Bowery, had been a popular graffiti spot in the early 1980s, when street artist Keith Haring created a large mural on it in 1982. [1] The wall was acquired by Goldman Properties in 1984. Tony Goldman began using the wall for advertisements, [2] though they were regularly vandalized.
The wide-open generosity of spirit in Keith Haring's vivacious work is seen in the Broad's deft show, which culls together about 120 works that he created between 1982 and 1989.
The Broad debuts Keith Haring's first-ever L.A. museum exhibition, an ambitious survey that includes more than 120 works, personal ephemera, immersive environments and the artist's mixtapes.
The next day, Keith Haring painted the red and green figures. [1] The Collingwood mural is now one of only 31 known surviving murals across the world by Haring. Haring produced more than 50 public artworks between 1982 and 1989, many were created voluntarily for hospitals, day care centers, and schools. [10]
Biographer Brad Gooch's "Radiant" reveals how much life and creativity artist Keith Haring packed into 31 years before he died of AIDS.
Untitled Series (with Sean Kalish) is an untitled and unordered series of eleven untitled etchings, drawn between 1989 and 1990 by Keith Haring in collaboration with Sean Kalish, [1] [2] a 9-year-old patron of the Pop Shop. [3]
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