Search results
Results from the WOW.Com Content Network
Trina Merry (born 1980). [1] is an American multimedia artist that uses the human body as a brush or a surface.She is best known for her trompe l’oeil street art performances that camouflage human canvases into their environments as well as her op art "human sculpture" installations.
Body painting artwork from the series Sharks Are People Too! by Paul Roustan [15] Los Angeles artist, Paul Roustan, is known for his work in body painting and photography which spans both the fine art and commercial worlds. His body painting has garnered numerous awards, including winner of the North American Body Paint Championships. [16]
This is the incredible Kay Pike. Using only body paint and paint brushes, the ever so talented Kay can magically transform herself into any superhero or villain in the (comic) book.
Joanne Gair Born c. 1958 (age 66–67) Auckland, New Zealand Known for Body painting, Make-up artist Notable work Demi's Birthday Suit (August 1992) Sports Illustrated Swimsuit Issues (1999–) Disappearing Model (2000) Movement Trompe-l'œil Website www.joannegair.com Joanne Gair (born c. 1958), nicknamed Kiwi Jo (alternatively Kiwi Joe), is a New Zealand -born and -raised make-up artist and ...
Plus, that was her sporting full body paint on the cover of Sports Illustrated in 2006 – a process that took her 12 hours. "I happen to know a lot about the subject. This feels organic and I ...
"Thank God for Mother Nature …. she’s really no joke …. she grounds me and helps me find my feet and always opens my mind when I step outside …. !!!! I was lucky today with this beautiful ...
Alltel was a landline, wireless and general telecommunications services provider, primarily based in the United States.Before its wireless division was acquired by Verizon Wireless and AT&T, Alltel provided cellular service to 34 states and had approximately 13 million subscribers.
Demi's Birthday Suit, August 1992.. Nudity portal; Demi's Birthday Suit, or The Suit, was a trompe-l'œil body painting by Joanne Gair photographed by Annie Leibovitz that was featured on the cover of the Vanity Fair August 1992 issue to commemorate and exploit the success of Leibovitz's More Demi Moore cover photo of Demi Moore one year earlier.