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The Fender Princeton Reverb is a guitar amplifier combo, essentially a Princeton with built-in reverb and vibrato. The 12 Watt Blackface version was introduced in 1964 and available until 1967; in 1968 it was changed to the Silverface version with a drip edge around the grill cloth. Amps produced after the end of 1969 saw a change in circuitry ...
Blackface Deluxe Reverb Blackface Princeton Reverb. The Blackface amplifiers were produced between 1963 and mid 1968 with the earliest blackface piggyback and large combo amps (Twin) having bodies covered in blonde tolex, with the new black control panel. The white control knobs continued briefly before giving way to black skirted "hat shaped ...
Electric guitar models no longer in mainstream production: Fender Bronco [10] (Lives on through Squier as a bass guitar); Fender Bullet [11] (lives on through Squier); Fender Coronado [12]
The Deluxe Reverb II was effectively a completely different amplifier, and it was discontinued in 1986. This was the so-called "Rivera-era". [3] In 1993, Fender released the '65 Deluxe Reverb reissue, with the original cosmetics and circuitry, but wired on a printed circuit board rather than hand-wired. The reissue is still currently in ...
The Princeton is particularly famous as the basis for Mesa Boogie's Mark I, which is a heavily hot-rodded Princeton equipped with modified preamp and a Bassman transformer, allowing it a higher gain output of 60 watts. Fender produced a solid state Princeton from 1988 to 2001, the Princeton Chorus.
Fender introduced a reissue '65 Super Reverb in 2001 featuring a printed circuit board design rather than the hand-wired circuitry of the original '65 Super Reverb. [1] [2] The Super Reverb is commonly used by blues guitarists due to its ability to deliver loud, warm tube distortion through its four 10" speakers. [3]
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Pre-amp tubes - 4 x 12AX7, 2 X 12AT7; Power tubes - 4 x 6L6; Wattage - 85 watts into 4 ohms; Speaker - 15" with ceramic magnet; Speaker jacks - Two 1/4 inch parallel (internal and external)
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