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Raden Haji Oma Irama, better known as Rhoma Irama (born 11 December 1946), is an Indonesian dangdut singer, songwriter and guitarist of Sundanese descent.. Starting in the late 1960s, he began his musical career as Rhoma Irama as a part of the pop band Orkes Melayu Purnama, pioneering several dangdut music elements.
Rhoma Irama, a traveler who is visiting mosques in Lombok in order to silahturahmi and symbols ukhuwah Islamiyah with the managers of the mosque there belonging to Fahmi Tamami forum. Assisted by his friend Fahru, Rhoma becomes acquainted with religious leaders in Lombok to accidentally Rhoma met a widow, who had a daughter Sohiba, Sai'ma, the ...
Rhoma's Mother (Netty Herawaty) Rhoma match with another girl, Mira (Naniek Nurcahyani) more modern and noble, while the father relented only Rhoma paralyzed. Rhoma reject the choice of his mother and his mother face challenges and Mira, among others booed Ida and went to shaman everything. Mira attitude that "modern" is not pleasing to Rhoma.
Oma Irama Penasaran is an Indonesian film directed by A. Harris and starring Rhoma Irama and Yati Octavia. According to Andrew N, Weintraub the film "paints a picture of an underclass boy who falls in love with a girl whose family is rich".
Mohammad Ridwan Hafiedz or Ridho (born September 3, 1973, Ambon, Indonesia) is an Indonesian guitarist, backing vocalist and songwriter. He is best known as Slank 's rhythm guitarist and back vocalist along with another lead guitarist, Abdee Negara .
The record project is the artists' first released together, following Rkomi's solo projects Taxi Driver and Irama's Il giorno in cui ho smesso di pensare. [3] [4] [5] The album features the collaboration of numerous songwriters and producers, including Takagi & Ketra, Shablo, Guè and Ernia.
Panitia Penyusun Naskah Brosur Lagu Kebangsaan Indonesia Raya (1972), Brosur Lagu Kebangsaan Indonesia Raya (in Indonesian), Jakarta: Proyek Pengembangan Media Kebudayaan, OCLC 2391302. Sularto, Bambang (1982), Sejarah Lagu Kebangsaan Indonesia Raya (in Indonesian) (1st ed.), Jakarta: Balai Pustaka, OCLC 10894709.
Irama is the term used for tempo in Indonesian gamelan in Java and Bali. It can be used with elaborating instruments. It can be used with elaborating instruments. It is a concept used in Javanese gamelan music, [ 2 ] describing melodic tempo and relationships in density between the balungan , elaborating instruments , and gong structure . [ 3 ]