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The Seventeenth Century is a quarterly peer-reviewed academic journal covering research on the 17th century published by Taylor & Francis. It is abstracted and indexed in the Arts & Humanities Citation Index. [1]
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Education was once considered a privilege for only the upper class. However, during the 17th and 18th centuries, “education, literacy and learning” were gradually provided to “rich and poor alike”. [10] The literacy rate in Europe from the 17th century to the 18th century grew significantly.
The Tatler was a British literary and society journal begun by Richard Steele in 1709 and published for two years. It represented a new approach to journalism, featuring cultivated essays on contemporary manners, and established the pattern that would be copied in such British classics as Addison and Steele's The Spectator, Samuel Johnson's The Rambler and The Idler, and Goldsmith's Citizen of ...
Ilya Repin, portrait of Pavel Tretyakov, 1901. The contemporary economics of culture most often takes as its starting point Baumol and Bowen's [1] seminal work on the performing arts, which argues that reflection on the arts has been part of the history of economic thought since the birth of modern economics in the seventeenth century.
The puritan family: A social study from the literary sources. New York: Schocken Books. Wagner, P. (1976). "Literary evidence of sport in colonial new England: The American puritan jeremiad". Stadion, 2(2): 233–249. Wagner, P. (1976). "Puritan attitudes toward physical recreation in 17th century new England." Journal of Sport History, 3(2 ...
Goldgar argues that, in the transitional period between the 17th century and the Enlightenment, the most important common concern by members of the Republic was their own conduct. In the conception of its own members, ideology, religion, political philosophy, scientific strategy, or any other intellectual or philosophical framework were not as ...
The Proletarian poetry is a genre of political poetry developed in the United States during the 1920s and 1930s that endeavored to portray class-conscious perspectives of the working-class. [64] Connected through their mutual political message that may be either explicitly Marxist or at least socialist , the poems are often aesthetically disparate.