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The consolatio literary tradition ("consolation" in English) is a broad literary genre encompassing various forms of consolatory speeches, essays, poems, and personal letters. consolatio works are united by their treatment of bereavement, by unique rhetorical structure and topoi, and by their use of universal themes to offer solace. [ 3 ]
A funeral oration or epitaphios logos (Ancient Greek: ἐπιτάφιος λόγος) is a formal speech delivered on the ceremonial occasion of a funeral. Funerary customs comprise the practices used by a culture to remember the dead, from the funeral itself, to various monuments, prayers, and rituals undertaken in their honour.
In Ancient Rome, declamation was a genre of ancient rhetoric and a mainstay of the Roman higher education system. It was separated into two component subgenres, the controversia, speeches of defense or prosecution in fictitious court cases, and the suasoria, in which the speaker advised a historical or legendary figure as to a course of action.
Oral poetry differs from oral literature in general because oral literature encompasses linguistic registers which are not considered poetry. In most oral literature, poetry is defined by the fact that it conforms to metrical rules; examples of non-poetic oral literature in Western culture include some jokes, speeches and storytelling.
Pericles' Funeral Oration, delivered at the end of the first year of the First Peloponnesian War to honor the Athenian war dead and their society; A Funeral Oration (Lysias) by Lysias, one of the "Canon of Ten" Attic orators (Speech 2 in Lamb's translation) Funeral Oration (band), a punk rock band from Amsterdam, the Netherlands
The Istanbul tablet#2461, dating to c. 2000 BCE, describes an annual rite in which the king symbolically married and mated with the goddess Inanna to ensure fertility and prosperity; some have labelled it the world's oldest love poem. [10] [11] An example of Egyptian epic poetry is The Story of Sinuhe (c. 1800 BCE). [12]
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Spoken word has existed for many years; long before writing, through a cycle of practicing, listening and memorizing, each language drew on its resources of sound structure for aural patterns that made spoken poetry very different from ordinary discourse and easier to commit to memory. [2] "