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Tap dance (or tap) is a form of dance that uses the sounds of tap shoes striking the floor as a form of percussion; it is often accompanied by music. [1] Tap dancing can also be a cappella, with no musical accompaniment; the sound of the taps is its own music. It is an African-American artform that evolved alongside the advent of jazz music.
The Maxie Ford is a tap dance step consisting of four movements: [1] step, shuffle, leap, toe.The Maxie Ford is famous for its use of the pullback (or graboff) after the shuffle and best known as the Maxie Ford Break: 2 executions of the basic Maxie Ford and a stamp:
tap: tap the ball or pad of the foot against the floor, use your ankle not your whole leg. heel tap: strike the heel of the foot on the floor and release it immediately. step: place the ball of the foot on the floor with a change of weight. touch: place the ball of the foot on the floor without change of weight.
Leonard Reed. Leonard Reed (January 7, 1907 in Lightning Creek, Oklahoma – April 5, 2004 in West Covina, California) was an American tap dancer, co-creator with his partner, Willie Bryant, of the famous Shim Sham Shimmy (Goofus) tap dance routine.
Dorrance also directed the Tap Program at The School at Jacob's Pillow in 2014. In addition to teaching tap dance technique, a primary mission for Dorrance and her company, Dorrance Dance, is to increase awareness and understanding of tap dance history and contributions to American culture made by tap dance's forebears. [6]
A prominent figure of the International Tap Association, he instructed tap dance at his San Francisco studio for 45 years, and was dance director for the Ice Follies (now Disney on Ice). Kahnotation was first published in 1951, with continuing refinements until his death in 1995. Kahnotation is one of the oldest dance notations in use.
James Titus Godbolt (October 2, 1927 – May 16, 2008), known professionally as Jimmy Slyde and also as the "King of Slides", was an American tap dancer known for his innovative tap style mixed with jazz. Slyde was a popular rhythm tap dancer in America in the mid-20th century, when he performed on the nightclub and burlesque circuits.
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