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Wystan Hugh Auden (/ ˈ w ɪ s t ən ˈ h juː ˈ ɔː d ən /; 21 February 1907 – 29 September 1973 [1]) was a British-American poet. Auden's poetry is noted for its stylistic and technical achievement, its engagement with politics, morals, love, and religion, and its variety in tone, form, and content.
Funeral Blues", or "Stop all the clocks", is a poem by W. H. Auden which first appeared in the 1936 play The Ascent of F6. Auden substantially rewrote the poem several years later as a cabaret song for the singer Hedli Anderson. Both versions were set to music by the composer Benjamin Britten.
First UK edition (publ. Faber & Faber) Epistle to a Godson and other poems is a book of poems by W. H. Auden, published in 1972. [1] [2]This book was the last book of poems that Auden completed in his lifetime; its successor, Thank You, Fog was left unfinished at his death.
The essays include Auden's introduction to The Portable Greek Reader (retitled "The Greeks and Us" in this volume), his introduction to the anthology The Protestant Mystics, his introduction to an edition of Shakespeare's Sonnets, reviews and introductions on Goethe, Sydney Smith, Kierkegaard, Edgar Allan Poe, Tennyson, Wagner, Lewis Carroll, A ...
Auden sent a copy of "The Chase" to Isherwood, who suggested revisions that eventually transformed the play into The Dog Beneath the Skin. In "The Fronny" the central character (who is referred to as "Fronny" in the surviving fragments) was apparently based loosely on the archaeologist Francis Turville-Petre , but the character of Sir Francis ...
Auden refused to title his early work because he wanted the reader to confront the poetry itself. Consequently, his first book was called simply Poems when it was printed by his friend and fellow poet Stephen Spender in 1928; he used the same title for the very different book published by Faber and Faber in 1930 (2nd ed. 1933), and by Random ...
The Dyer's Hand and Other Essays is a collection of essays and lectures by W. H. Auden, published in 1962 in the US by Random House and in the UK the following year by Faber & Faber. The book contains a selection of essays, reviews, and collections of aphorisms and notes written by Auden from the early 1950s to 1962.
For the Time Being (New York, 1944; London, 1945; two long poems: "The Sea and the Mirror: A Commentary on Shakespeare's The Tempest", dedicated to James and Tania Stern, and "For the Time Being: A Christmas Oratorio", in memoriam Constance Rosalie Auden [Auden's mother]). The Collected Poetry of W.H. Auden (New York, 1945; includes new poems ...