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Tatsuya Nakadai (仲代 達矢, Nakadai Tatsuya, born Motohisa Nakadai; December 13, 1932) is a Japanese film actor. [1]He was featured in 11 films directed by Masaki Kobayashi, including The Human Condition trilogy, wherein he starred as the lead character Kaji, plus Harakiri, Samurai Rebellion and Kwaidan.
The film was released as a trilogy in Japan between 1959 and 1961, while shown at various film festivals internationally. All-night marathons of the entire trilogy were occasionally shown in Japan; screenings with Tatsuya Nakadai in attendance typically sold out. [7]
The film premiered worldwide at the Cannes Film Festival on 15 October 2019. [4] It debuted in Japan at the 32nd Tokyo International Film Festival on 4 November 2019 [2] and was released in theaters in January 2020.
The Sword of Doom, known in Japan as Dai-bosatsu Tōge (大菩薩峠, "Great Bodhisattva Pass"), is a 1966 Japanese jidaigeki film directed by Kihachi Okamoto and starring Tatsuya Nakadai. It is based on the serial novel of the same title by Kaizan Nakazato.
The film stars Toshiro Mifune, Tatsuya Nakadai, Yoko Tsukasa, Isuzu Yamada, Daisuke Katō, Takashi Shimura, Kamatari Fujiwara, and Atsushi Watanabe. In the film, a rōnin arrives in a small town where competing crime lords fight for supremacy. The two bosses each try to hire the newcomer as a bodyguard.
Tatsuya Nakadai Nakamura Ganjirō II Jun Hamamura: Cinematography: Kazuo Miyagawa: ... ' The Key ') is a 1959 Japanese satirical [1] comedy drama film directed by Kon ...
Tatsuya Nakadai stars as Genta, a former samurai who became disillusioned with the samurai lifestyle and left it behind to become a wandering yakuza gang member. He meets Hanjirō Tabata (Etsushi Takahashi) a farmer who wants to become a samurai to escape his powerless existence.
The review praised Tatsuya Nakadai's "brilliant, Mifune-like performance" and noted that the film was "on occasion brutal, particularly in the young samurai's terrible agony with his bamboo sword" and that although "some critics have remarked [...] that being gory is not the best way to deplore wanton bloodshed, Harakiri still looks splendid ...