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Akai's portable studio, Akai MG-1214 unit The first product released by the new subsidiary was the MG1212, a 12-channel, 12-track recorder. [ 11 ] This innovative device used a specialized VHS-like cartridge (the MK-20) and could record 10 minutes of continuous 12-track audio at 19 cm per second or 20 minutes at half speed (9.5 cm per second).
The Akai MPC (originally MIDI Production Center, now Music Production Center) is a series of music workstations produced by Akai from 1988 onwards. MPCs combine sampling and sequencing functions, allowing users to record portions of sound, modify them and play them back as sequences.
The AX60 is a polyphonic analogue keyboard synthesizer manufactured by Akai Professional in the mid-1980s. It was Akai's answer to the popular Roland Juno series synthesizers. . The AX60 uses voltage-controlled analogue oscillators and filter circuitry based on the Curtis Electromusic CEM 3394 integrated circ
The Akai S900 is a 12-bit sampler, with a variable sample rate from 7.5 kHz through to 40 kHz. It was common in recording studios until it was superseded two years later by the S1000 . An expanded version, the Akai S950 , was released in 1988 alongside the higher end S1000.
Akai AX80 synthesizer. The AX80 is a polyphonic analogue keyboard synthesizer manufactured by Akai Professional in 1984. [2] It was Akai's first venture into the professional electronic musical instrument market.
The 1/4 inch Akai is a portable helical scan EIA and CCIR analog recording video tape recorder with two video record heads on the scanning drum. The units were available with an optional RF modulator to play back through a TV set, as well as a detachable video monitor .
Threads of Destiny [1] (Japanese: 赤い糸, Hepburn: Akai Ito, lit. "Red Thread") is a 2006 cell phone novel series written by Mei. Akai Ito was first published on the website Mahō no Toshōkan, where it became the #1 ranked story within the first month of publication.
VK is a helical scan analog recording videocassette format developed by Akai in the late 1970s, that is capable of recording and playing back black & white (and later color) video in either EIA (a.k.a. RS-170, the 525-line NTSC video standard for North America, Canada, Mexico, & Japan) and CCIR (the 625-line PAL/SECAM video standard for Europe and other parts of the world) systems.